Aline never managed to get closure from the death of her 17-year-old son in a street fight. When she sees the assai- lant recently released from prison, she decides to cook up a plan to avenge her dead son. Things go unexpectedly as she gets to know the young man and her determination is tested.

Akira’s wife walks out on him, leaving him to confide in his gangster brother-in-law. Using only a cryptic note as a clue the two brothers go on a road trip to find his wife. After a series of violent encounters with strangers, Akira meets a prostitute. The pair start a relationship. After Akira finds his wife, he questions whether he still wants to be with her.

Anna’s story takes place on Åland Island in 1666, during the beginning of the most widespread and systematic witch-hunts in Scandinavian history. In all, 16 women were convicted of being in league with the devil, and seven of them were executed. For Judge Psilander, who has mastered the newest witch theories of the time, the trials are meant to cleanse the island of superstition, to have science and common sense prevail. The main character, the intelligent and stubborn Anna, gets an intimate view of the events, having just started working as a maid in the judge’s house. To Anna’s misfortune, she falls intensely in love with her friend Rakel’s husband Elias, but his infatuation with her quickly fades. A hurt and jealous Anna decides to get revenge and falsely reports Rakel to Judge Psilander. It’s only when Rakel is arrested, and things get out of hand, that Anna realizes the gravity of her doings.

A man engulfed in the suffocating grip of loss finds his life fragmented. Struggling to navigate through his emotional fog, his mother suggests a retreat to her cabin – but an ancient entity that thrives on sorrow has taken root. The New England winter punctuates this love letter to creeping horror and slow cinema.

Belfast police conduct a door-to-door manhunt for an IRA gunman (James Mason) wounded in a daring robbery.

Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.

ECSTASY is a contemporary and relevant film about how drugs transcend all borders of society and affect every facet of our lives. But when it leaves it takes away your soul. A new party drug arrives on the rave scene in a college town and is consumed openly by young people. It’s irresistible making you feel invincible, beautiful, intelligent and loved. This haunting psychological thriller centers around a mother’s struggle to save her daughters from going down the same dark path she once took, a handsome jock’s (Charlie Bewley, from “Twilight – New Moon”) misplaced faith in God stemming from the temptations that surrounds him, and three college girls horrific experience with their drug-induced guilt, fears and demons

Hızır loses his wife Halime, who has been in intensive care for a long time. Her daughter, Hatice, learns from the nurse Evren, who had been devotedly helping her ailing mother, that he caused her mother’s death. Hatice tries to be compassionate to her father, who comes to her house. She refrains from revealing the truth to him, but after a while, she can’t keep this secret anymore and shares it with her sister, Kader. While thinking that they should tell Evren’s confession to their father, Kader thinks they should go to the police. Kader’s persistence on her sister creates an existential problem for Hatice, who is crushed under the weight of Evren’s confession. All family members have to face the truth at a family dinner.

A Female DJ finds love in a new city, and shares her music in honor of her late mother.

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A track coach in a small California town transforms a team of athletes into championship contenders.

A documentary/drama about the training of bombardiers during WWII. Major Chick Davis proves to the U.S. Army the superiority of high altitude precision bombing, and establishes a school for bombardiers. Training is followed in semi-documentary style, with personal dramas in subplots. The climax is a spectacular, if somewhat jingoistic, battle sequence.