Archive
Eoghan is a sound-recordist who is returning to Ireland from Berlin for the first time in 15 years. His reason for returning is a job offer: to find and record places free from man-made sound. His quest takes him away from towns and villages into remote terrain. Throughout his journey, he is drawn into a series of encounters and conversations which gradually divert his attention towards a more intangible silence, one that is bound up with the sounds of the life he had left behind. Influenced by elements of folklore and archive, “Silence” unfolds with a quiet intensity, where poetic images reveal an absorbing meditation on themes relating to sound and silence, history, memory and exile.
Zoey, a woman trying to find her role in this world, saves troubled men in search of her own completion. She meets Quinn, a guy who believes he is the world’s savior. He must fight a ‘friend’ to the death to stop the oncoming Apocalypse. This is the story of Zoey taking her newfound charity case under her wing as she is compelled to help the damaged Quinn come to reality, while fighting her own past demons as they are revealed.
1-900-TONIGHT (Somewhere Tonight) is an urban fable that tells the story of two lonely New Yorkers trying to find companionship over an adult chat phone line. John Turturro plays Wooly, a simple, curiously odd bike messenger hoping to hear a bit of ‘spicy’ talk from Patti (Katherine Borowitz), an agoraphobic shut-in. Although each is not what the other hopes they will be, together they prove that wisps of enchantment can be found in even the most overlooked of hearts. And that hope takes on many unexpected shades. Inspired by slain Dutch filmmaker Theo Van Gogh’s 06. Written by Michael Di Jiacomo
Monday morning. Paul Wertret, 50, heads off to his job as a manager at the International Credit and Trade Bank. He arrives at 8 o’clock on the dot, as usual. He enters a meeting room, takes out a gun and kills two of his bosses. Then he locks himself in his office. As he waits for the inevitable police assault, this ordinary man looks back over his life and the events that led him to commit such an act.
Our African-American hero , Brad is bullied by his dysfunctional mom; he flees his home and by chance tumbles down the rabbit-hole into the LA ball scene where he finds a ragtag new famiiy. With music by Beyonce music director, Kim Burse, screenplay and lyrics by Glenn Gaylord choreography by Beyonce dance master, Frank Gatson Jr. and eye-popping visuals and direction by Sheldon Larry, the film is an ode to the wild funky and heart-aching life of this amazing underground. Written by Sheldon Larry (IMDB.com).
A zombie apocalypse unites a ragtag pack of dogs in the ruined streets of Miami. Immune to the epidemic, they must stick together to survive in the midst of ferocious undead and human survivors. Sit. Stay. Play dead.
Garo: Soukoku no Maryu (lit. Blue Cries of the Demon Dragon) is the second film to the Garo series. The film serves as an epilogue after Makai Senki and leads up to The One Who Shines in the Darkness. The story continues after the events of Makai Senki. Having made a contract with Gajari, Kouga Saejima honors his end of the deal by traveling to the Promised Land to retrieve a part of Gajari: the Fang of Sorrow. After Kouga defeated Sigma, Gajari transported him to the Promised Land, however, his quest had unexpected results.
Lovell Milo is a man who begins experiencing his life out of order; every day he wakes up at a different age, on a different day of his life, never knowing where or when he’s going to be once he falls asleep. He’s terrified and wants it to stop – until he notices a pattern in his experience, and works to uncover why this is happening to him – and what or who is behind it.
Years after Peter Pan and the Lost Boys have overthrown the pirates, Peter visits London to return Wendy to Neverland and is kidnapped by a mysterious Stranger residing in the decaying remains of the Darling House. Peter is forced to confront a harsh reality that challenges his innocence. East of Kensington takes a dark introspective look into JM Barrie’s classic story.
Follow the story of Jesus in this slapstick satire. With a name like “Jesus, the Total Douchebag” the movie should only be seen by people who enjoy blasphemous comedy, and as such, the comedy is focused on targets that are usually exempt. Director Bill Zebub explains, “Indie movies should revel in their freedom. They are not confined to the same boundaries as the big budget movies. They should give what Hollywood can’t.”
It was a strange and curious misfit. Though born a Buick, the Grand National was clearly something else. It was too quick and too brutish to carry that stodgy name. There was something inside the car trying to get out.
A young and inexperienced priest encourages a family to declare their long-missing son dead, but once they do, the boy mysteriously returns, testing the priest’s commitment to church doctrine over the laws of the natural world.
Adolescence is like a heavy rain. Even though you catch a cold from it, you still look forward to experiencing it once again. Ko-Teng has several close friends who had a crush on Shen Chia-Yi. Those friends of Ko’s thus moved in unison from Ching Chengs junior high school straight into the senior high school division in pursuit of her. Naughty in nature, Ko was ordered by their homeroom teacher to sit in front of honor student Shen for her to keep close tabs on him. The two hadn’t hit it off at first but Ko gradually fell for Shen, who was always pressuring him to study hard. On the other hand, Shen became impressed by the contrasting values Ko represented. Ko started pursuing Shen but Shen remained hesitant.
A wrongfully exiled and disgraced man seeks revenge against his jealous brother, after their billionaire father mysteriously dies.
Meagan Mullen, freshly moved in her new home, keeps in touch with her friends and family through a video blog. As her entries (and her life) become more complex and emotional, strange things begin to happen in her room: and the camera captures all of it. Told primarily from the point of view of an ordinary wireless webcam, The Death of April documents the unsettling activity in an otherwise average girl’s bedroom – and the mysteries that surround it.
Christmas is approaching, and Paul’s adopted sister Alana is coming home for the holidays. This won’t be just a regular family celebration, as she’s recently engaged and the weekend will be spent planning her June wedding with her best friends Roy and Vicki. Problem is that Roy is Paul’s ex-boyfriend, and the two young men haven’t seen each other since their very messy breakup. Nervous about seeing his ex again, Roy talks his good friend Gavin into joining him for the weekend, and pretending to be his new boyfriend. When Paul and Gavin meet, sparks of attraction fly, but Gavin thinks Roy’s still hung up on Paul. This charming romantic comedy is a funny look at family bonds, misunderstandings and the “perfect wedding
Jack and his pals are NYC bachelors in their super-late 30’s who have spent two decades chasing women and fleeing commitment. When a childhood friend’s sudden tragic marriage shakes up their world of sex and booze, Jack realizes he just may be ready to commit to the one woman hopelessly out of reach.
A disturbing portrait of contemporary youth culture where the lines between reality and fiction are blurred with often frightening results.
Does hell exist? If so, who ends up there, and why? Featuring an eclectic group of authors, theologians, pastors, social commentators and musicians, HELLBOUND? is a provocative, feature-length documentary that looks at why we are so bound to the idea of hell and how our beliefs about hell affect the world we are creating today.
Marie is a Toronto police officer. One evening, her husband Joshua and their son Nicky are brutally murdered in their car. Marie quickly links Pablo Molina, an Argentinian drug trafficker who she’d arrested a few months earlier, with the crime. In despair, Marie heads to Argentina on the tracks of the killer. A journey of revenge and a journey to come to terms with her loss.
HIGH TECH, LOW LIFE follows the journey of two of China’s first citizen reporters as they travel the country – chronicling underreported news and social issues stories. Armed with laptops, cell phones, and digital cameras they develop skills as independent one-man news stations while learning to navigate China’s evolving censorship regulations and avoiding the risk of political persecution. The film follows 57-year-old “Tiger Temple,” who earns the title of China’s first citizen reporter after he impulsively documents an unfolding murder and 27-year-old “Zola” who recognizes the opportunity to increase his fame and future prospects by reporting on sensitive news throughout China.
A journalist and his girlfriend get pulled in while they investigate a cult whose leader claims to be from the future.
Marco the Monkey works as a beach officer. But he spends most of his time trying to win the heart of the beautiful Lulu. He is just about to succeed, when Marco’s rival, Carlo, builds a gigantic monkey-shaped casino right on Marco’s beach. Lulu is fascinated by the charming Carlo. Jealously Marco starts an undercover investigation of Carlo’s strange casino. Soon he discovers the truth. Carlo will take over the island and force Lulu to marry him! When Marco tries to arrest Carlo a problem rises. Literally from the ground. Because Carlo’s Casino is a giant robot.
The bell has just rung! School is over. It’s a beautiful day. It’s the last day of school. It’s the first day of summer vacation! Five boys are at the end of an era. It’s all “too perfect”. Unbeknownst to all of them, this will be the last day of their innocence..
After two years hiding out in his Grandfather’s retirement residence, Stock Burton is forced back into his small town where he must come to terms with the troubled past that led to his early retirement.
A romantic fairy tale about a 19-year old orphan girl who, as her sole inheritance, gets an antique key that unlocks both an old Italian villa and the secrets of her family history.
Havana 1957—sin capital of the world. Mafia nightclubs, sex, drugs and gambling. A young cop witnesses a murder and must decide if he wants to play the corrupt game or go against corrupt cops and the mob with the help of a beautiful Tropicana dancer.
Sarah tells Paul that she wants out of their marriage; the next day she disappears. A year later and Paul along with their children return to his childhood town to start anew after the loss of his wife and their mother.
How much space does Zeynep take up in this vast universe? This is a city brimming with the struggling and the unemployed; aren’t their lives a bit like the infinite, tiny particles flying through the air? Zeynep is already trying hard to make ends meet when she gets fired from her job at a textile mill. The Particle follows her as she searches for a job. We follow her in and out of workspaces. Zeynep’s world – the streets and homes in Tarlabaşı – are dark and suffocating.
Locked up and isolated, constantly exposed and threatened to be killed, for the first time in his life Lazaro understood that he was a free man.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
