Following up the successful “P.O.E.: Poetry of Eerie”, some of the original filmmakers regrouped for this newest experiment which aims to bring the tales of Edgar Allen Poe to life through the distinct lens of Italian horror with spoken English. While the original film’s focus was the poetic and macabre dimension of the infamous Boston author, this sequel focuses instead on the bloody, violent and disturbing. Stories include ‘The Pit and the Pendulum’, ‘Solo’, ‘Loss of Breath’, ‘The Murders in the Rue Morgue’, ‘The Tell-Tale Heart’, ‘The System of Dr. Tar and Prof. Feather’, and ‘The Premature Burial’… Like you’ve never seen before!
You May Also Like
Ryan has been plagued with nightmares since the night his sister Amy went missing 8 years earlier after playing the game “Bloody Mary.” Amy had stumbled onto a website on the Internet (www.marked4mary.com) about a witch called Bloody Mary and a game to summon her evil spirit. Now a senior in college, Ryan is reaching a mental breaking point from the years of stress and guilt from his sisters disappearance. His girlfriend Rachel frustrated herself at Ryan’s emotional distance and self pity, calls for help to a former professor of Ryan’s, Father O’Neal. Father O’Neal is both a priest and a archaeologist who decides to help Ryan end his tormenting grief by using his detective skills and wit to figure out what exactly happened to Ryan’s sister, and uncover the truth to the Legend of Bloody Mary
The story centers on a young couple on a road trip through the Irish countryside who encounter an ancient force of evil.
A growth hormone experiment gets out of hand, when the the resulting giant man-eating rats escape, reaking havoc on the unsuspecting campus. Much blood-letting follows.
A woman steals her abusive boyfriend’s drug money for her three teenage daughters to seek better lives for themselves and a bloody pursuit ensues.
The lives of an addict, a Luchador, a cartel organ smuggler, and an ex-con collide in this wildly original crime/drama/blacker-than-black comedy/thriller that’s as informed by Mexican subcultures as it is by American cinema.
On vacation at a remote lake house, a mother and her two young daughters must fight for survival after falling into a terrifying and bizarre nightmare conceived by a psychopath.
A young punk rock band find themselves trapped in a secluded venue after stumbling upon a horrific act of violence.
A dad moves into a new house with his son and girlfriend. When he’s out of town working, the son makes a new “friend” next doors.
The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.
A group of young horror fans go searching for a film that mysteriously vanished years ago but instead find that the demented killer from the movie is real, and he’s thrilled to meet fans who will die gruesomely for his art.
John Brock is a down-on-his-luck archaeologist who returns from an expedition to the caves of rural Kentucky after unsuccessfully trying to locate a mysterious relic that his family has sought for generations. Upon his return, John starts to see dream-like visions of a ferocious bird-like creature from ancient folklore. John soon learns that the cave he came into contact with on his last expedition was indeed the cave that contains the relic and also a portal to Hell and a place of worship for the Occult. John discovers that the only way to stop the increasingly realistic visions is to go back to the cave with his family, find the relic once and for all, and destroy it.
