Following up the successful “P.O.E.: Poetry of Eerie”, some of the original filmmakers regrouped for this newest experiment which aims to bring the tales of Edgar Allen Poe to life through the distinct lens of Italian horror with spoken English. While the original film’s focus was the poetic and macabre dimension of the infamous Boston author, this sequel focuses instead on the bloody, violent and disturbing. Stories include ‘The Pit and the Pendulum’, ‘Solo’, ‘Loss of Breath’, ‘The Murders in the Rue Morgue’, ‘The Tell-Tale Heart’, ‘The System of Dr. Tar and Prof. Feather’, and ‘The Premature Burial’… Like you’ve never seen before!
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Lily, an undercover reporter, poses as the new night manager at a seedy hotel to investigate a string of suspicious suicides. After playing the elevator game, she learns of a dark and sinister presence in the hotel. Can she find a conclusion to this mystery and put a stop to it before more murders occur?
Suburbs of Rome (Italy), Summer of 1993. On top of a wide valley, a group of four kids has built a small shelter in which they spend the afternoons after schooltime. On one of those summer afternoons, the kids take their bikes and go for a journey through the paths of Tolfa and Allumiere. Suddenly, they discover a beautiful medieval farmstead. They don’t know it yet, but what they’ll find in it will change their lives forever.
Based on true events. Aesha goes to an isolated b&b in Kent after her mom books her in so she can get some head space for her studies. In the night Aesha is visited by a nun at the door who will progressively begin to show her true colours as the night unfolds – As the nun continues to bother Aesha at the door, Aesha begins to question her surroundings in this isolated suspense horror.
During a winter getaway at an isolated cabin, a self-destructive young woman becomes convinced that her best friend is stealing her blood.
A comedy-horror centering around three hustlers who have to find a bag of cash
The film is composed of multiple comedy shorts presented through an overarching segment titled “The Pitch”, in which Charlie Wessler, a mad screenwriter, is attempting to pitch a script to film executive Griffin Schraeder. After revealing several of the stories in his script, Wessler becomes agitated when Schraeder dismisses his outrageous ideas, and he pulls a gun on him and forces him to listen to multiple other stories before making Schraeder consult his manager, Bob Mone, to purchase the film.
An American artist’s obsession with a disturbing urban legend leads her to an investigation of the story’s origins at the crumbling estate of a reclusive painter in Ireland.
Suffering amnesia after a mysterious accident, film director Archie Finch pieces together his life with the help of a seeming specter.
A group of hard-partying Brooklyn hipsters are stalked and savagely murdered by a masked maniac known as the Bushwick Party Killer.
When her boyfriend Ben suddenly dies in an accident, mother-to-be Charlotte collapses upon receiving the news. She wakes up in Ben’s family home, a crumbling old manor house in the middle of nowhere with Ben’s overbearing mother and his controlling stepbrother who are determined to care for her. Grief-stricken and increasingly haunted by visions possibly brought on by the pregnancy, Charlotte begins to doubt the family’s intentions and her suspicions grow that they may be trying to control her and her unborn baby.
