To overcome his creative block and pull off an impossible deadline, fledgling comic artist Neil must enter the world of his leading character: the mysterious Mistress Of The Forest.

Bigfoot checks into Hotel Transylvania to get some sleep but keeps getting disturbed by a zealous witch maid.

A cocky jet skier gets his dream shot to compete on the pro jet ski tour.

Deneuve plays sassy grandmother Bettie who takes to the road after being betrayed by her lover and learning her business is on the verge of bankruptcy on the same day. During a weeklong odyssey across France, she spends time with a grandson she hardly knows and reconnects with her past as former Miss Brittany through a reunion for former beauty queens.

“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders

Charlotte flies to East Africa to build a tourist center near Lake Williams where the pygmies live. Here she meets her husband Victor, a devoted conservationist who left her three years ago to live in the jungle. Can you imagine his enthusiasm when she arrives at the conclusion that the ideal place to build this holiday resort is his kitchen garden?

Lizzie, a high-end event planner, lies awake nightly while her devoted fiancé Josh rests peacefully. When a sleep-deprived incident causes her to run into Billy, a low-key bartender who is just as sleepless and frustrated as she is, they discover that they can only fall asleep while next to each other.

A country football coach who has a plan to rebuild the local football team by recruiting recently settled asylum seekers.

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Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as “The Ladies Who Lunch” from Company and “Civilization” from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.

A frustrated artist gets lost inside the cardboard fort he builds in his living room.

Four college seniors open a bogus sex clinic, which unexpectedly mushrooms into a multi-million dollar business.