A woman struggles to cut the ties between her family and her husband’s powerful new friends before it’s too late.
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Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.
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Raj is a Mafia member. One day he meet a girl (Meera) while chasing by his rival gang and falls in love with her. Later he finds out that this girl is the daughter of the leader of his rival gang. Yet their love story continues until he was shot by his girlfriend upon a deep misunderstanding. After that incident these two lovers lives separate until their siblings fallen in love. With this new love story their paths intertwines again.
Based on the true story of Lindy Chamberlain: During a camping trip to Ayers Rock in outback Australia, she claims she witnessed a dingo taking her baby daughter, Azaria, from the family tent. Azaria’s body is never found. After investigations and two public inquests, she is charged with murder. The case attracts a lot of attention, turning it into a media sideshow.
The story of a young Marine, fresh from Camp Pendleton, who is forced to confront the complexities of adulthood and a volatile home life during a four-day Thanksgiving leave.
After being forced into early retirement, former detective Jeff Jackson returns to a quiet life on Martha’s Vineyard. Quiet, at least, until a body washes up and he’s drawn back into crime solving.
Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.
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