Dangerous Liaisons is the film based on the novel of the same name by Choderlos de Laclos set in 18th century France. Marquise de Merteuil’s asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things don’t go as planned in this love triangle drama.

Amy, an attractive woman, confuses love with money and becomes a victim of the materialistic lifestyle of South Beach. Her relationship with Nick, a down-to-earth, young architect is great, but Amy has dreams that he can’t fulfill and afford. In her search for glamour and a dancing career, Amy meets Sam, an older, married man. Even though Sam provides her with the luxurious lifestyle, she begins to feel a void for love and attention. Unwilling to let go of Sam’s financial support, Amy becomes involved in another relationship with Robert, who grows suspicious. Amy soon discovers that life in South Beach, not everything is as good as it looks.

Stig is a 15-year-old pupil of 37-year-old teacher Viola. He is attracted by her beauty and maturity while she is drawn to him by his youth and innocence, a godsent relief from her drunk and miserable husband.

A drama centred on three people: Sarah is a barista who finds the love of her life in Mark. Her mother Barbara depends on Mark to keep her in Sarah’s life while resenting her daughter’s deep love for him. When severely traumatised by the sudden death of Mark Sarah’s relationship with her mother finally cracks. Now faced with losing her struggle to cope Sarah feels Mark’s presence return. Based on true events Transition is the story of a love that transcends this realm and the strength of human character in survival.

Two friends are army officers, and the turbulent times throw them from the Civil War in the early 20s to the Soviet conflict in Finland, from China to the Urals.

Lung (Nick Cheung), a hardworking property agent, is facing a serious situation in life. His girlfriend won`t marry him unless he can buy her a 1000-sq ft. apartment in one year’s time; whilst Charlotte (Sammi Cheng) desperately needs a place to stay after her divorce. Along with Lung’s intern Very (Oho), a mainland richling, they become co-owners of the office girl Hak’s (Angelababy) small flat that was left to Hak by her estranged mother.

Toni Caramusat, a famous film director, is fascinated by the idea of finding the 13th fundamental truth about the Aromanians. According to a myth, this truth is held by Armanamea, the last descendant of this people. Toni goes on dates with young women from all over the world, in hope of finding both the truth and his soul mate. Will he ever find them and, if so, at what cost?

andquot;Greek loveandquot; is the screen adaptation of a theater play whose story unfolds in two parallel planes. A well-situated woman from southern Greece invites an art critic from Athens to offer him for sale a painting by Eleni Bukura from…

Tilo, the titular “Mistresses of Spices” is a shopkeeper and an immigrant from India who helps customers satisfy their needs and desires with spices. Her life changes when she falls in love with an American man.

For the thirtysomething Sheng Ruxi, whose surname unmistakably echoes the slang term “sheng nu” (leftover women), the wait for a perfect partner is growing more despairing by the day. With an ultra-anxious mother who would rather die than see her daughter stay single, Ruxi is further annoyed by the doctor she’s fixed up with. Could her new colleague, the dashing 25-year-old Ma Sai, offer last-minute salvation?

Set one year after the drama series “Moteki.” 31-year-old Yukiyo Fujimoto (Mirai Moriyama) doesn’t have money, dreams or a girlfriend. He has left his job at a staffing firm and is attempting to start a new life by working as a writer for a news site. Suddenly, Yukiyo experiences “moteki” – a period when a man becomes suddenly popular with woman. Cute magazine editor Miyuki (Masami Nagasawa), pure and naive office worker Rumiko (Kumiko Aso), beautiful shop assistant Ai (Riisa Naka) and beautiful, but tough co-worker named Motoko (Yoko Maki) all become interested in Yukiyo. He tries to calm down, but is shaken by the interests of these women.

The film begins with a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however, we know he has fulfilled his childhood ambition, to marry a hairdresser.