Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.
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We know Bull Sharks swim upriver and we know they hunt in the sea. But we’ve never been able to see it all like this. We see them attack and consume other sharks. We watch their shady hunts in the deep. We follow them up freshwater rivers to pupping grounds. We see them hunt shoals of fish from drones above and we watch as they clash with hippos and crocodiles.
Workplace is a documentary made by Gary Hustwit, in association with R/GA, for the 2016 Venice Architecture Biennale.Workplace is about the past, present, and future of the office. It looks at the thinking, innovation, and experimentation involved in trying to create the next evolution of what the office could be. The film follows the design and construction of the New York headquarters of digital agency R/GA (in collaboration with architects Foster + Partners) who have been experimenting with how physical and digital space can better interact. Digital technology has radically changed how and where most of us work, but the physical spaces we work in haven’t kept up with that transformation.
Looking at whether the history of early human evolution should be rewritten. For decades, most experts have been convinced that Africa is the cradle of mankind and many fossil finds from Kenya, Ethiopia, South Africa and Chad seemed to prove it.
Outitude is a heartfelt documentary that attempts to get to the core of what it means to be lesbian. We explore what defines us, what connects us, and what are our commonalities. We spoke to rural and urban lesbians, poets, writers, activists, self-professed bar dykes, queer women and curious women. Personal stories tell of the diversities of identities, tales of coming out, experiences of homophobia and the varied types of activisms that offer a kaleidescope of the richness and diversity of our lesbian community.
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‘Electoral Dysfunction’ uses irreverent humor to illuminate how voting works – and doesn’t work – in America. Hosted by Mo Rocca (a Correspondent for CBS News, a panelist on NPR’s ‘Wait, Wait … Don’t Tell Me!’ and a former Correspondent for ‘The Daily Show’), the film is structured as a road trip that begins when Mo makes an eye-opening discovery: The Constitution does not guarantee the right to vote, putting America in the company of Libya, Iran and Indonesia. Mo explores the battle over voter fraud and voter I.D.; searches for the Electoral College; critiques ballot design with Todd Oldham; and encounters experts and activists across the political spectrum who offer commentary on why our voting system is broken and how it can be fixed.
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