Lee Chung is a Prince of Joseon, but he has been taken hostage to the Qing Dynasty. He enjoys boozing, womanizing and gambling. He is also an excellent swordsman. His older brother Lee Young will succeed to the throne and brings Lee Chung to Joseon. He returns after more than 10 years. Soon, Lee Chung faces monsters that run rampant in the night.

Four friends search for love and happiness while working at a California sandwich shop.

This biopic explores Muslim scholar Buya Hamka’s life and hardships alongside his loving wife, Siti Raham, after Indonesia gained independence.

Soo-hyun comes across magical pills that allow him to go back and forth in time. 30 years to the past, young Soo-hyun meets future Soo-hyun and learns that his girlfriend will soon die because of him. In order to save her, the two Soo-hyuns try to change the past together, but a completely new and unexpected past is formed that leads to a new future.

Between 1978 and 1979, the inhabitants of the Oise are in fear of a maniac who kills several hitchhikers and escape the police. He was then dubbed “the killer of the Oise” is actually a shy young policeman who will investigate his own murder, only to lose control of the situation.

Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.

‘The Midwife’ (fin.’Kätilö’) is a romance-drama set during WWII in Finland’s Lapland province, a major European battle ground of the war. Based on Katja Kettu’s bestselling novel, ‘The Midwife’ turns on the love affair between a Lapp midwife and a Nazi SS officer set against the backdrop of the Lapland War, which opposed Finnish and Germany armies in 1944-45. The themes in the story are international. It’s about conquering love and war, and class boundaries that are broken down.

Swedish efficiency researchers come to Norway for a study of Norwegian men, to optimize their use of their kitchen. Folke Nilsson (Tomas Norström) is assigned to study the habits of Isak Bjørvik (Joachim Calmeyer). By the rules of the research institute, Folke has to sit on an umpire’s chair in Isak’s kitchen and observe him from there, but never talk to him. Isak stops using his kitchen and observes Folke through a hole in the ceiling instead. However, the two lonely men slowly overcome the initial post-war Norwegian-Swede distrust and become friends.

A father lives a double life as a counterfeiter, bank robber and con man in order to provide for his daughter.

In his second year of crimefighting, billionaire Bruce Wayne, also known as The Batman, takes on a mysterious foe of unknown intentions.

Ella returns to her hometown to mend fences with her fractured family. With the help of Griffin, her ex-boyfriend, she encourages her family to celebrate Christmas and Kwanzaa and to heal their past wounds before it’s too late.

Barry is an asthmatic kid having trouble in life. He lives with his father, a computer programmer, in Texas. Barry is struggling to get by in life, dealing with his rough school life, bullies, as well as his health. Barry’s only source of enjoyment is fantasizing that he is with Chuck Norris. Barry becomes sick of getting picked on by the bigger guys, and decides to learn karate.