Makoto Tanaka (Tadanobu Asano) is 40-years-old and has remarried. His wife is Nanae (Rena Tanaka) and they care for 2 daughters from Nanae’s prior marriage. Makoto tries to have an ordinary family. Nanae then becomes pregnant. Afterwards, things begin to change among the family members.
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There live a couple known as ‘100-year-old lovebirds’. As fairy tale’s characters, the husband is strong like a woodman, and the wife is full of charms like a princess. They dearly love each other wearing Korean traditional clothes all the time, and still fall asleep hand in hand. However, the death, quietly and like a thief, sit between them. This film starts from this moment, and follows the last moments of 76 years of their marriage.
A city’s most-notorious car thief must use all the skills at her disposal to evade a serial killer who wants to make her his next victim.
The Royal Scandal, the war for power and fight for money continues with the return of Saheb Biwi Aur Gangster. Aditya Pratap Singh (Jimmy Sheirgill) is crippled and is trying to recover from the physical disability and his wifes betrayal. The lover cum seductress Madhavi Devi (Mahie Gill) is now an MLA, her relationship with Aditya may have broken to shambles but her relation with alcohol is deep, dark and daunting. Indarjeet Singh, a ragged prince who has lost everything but his pride, pledges to get back his familys respect which was once destroyed by Adityas ancestors. Ranjana is a modern ambitious girl who is madly in love with Indarjeet Singh (Irrfan Khan). The story takes a new turn when Aditya falls in love with Ranjana and forces Birendra (Raj Babbar) her father, for their marriage. In this game of live chess between Saheb, Biwi and Gangster, the winner, the survivor takes it all.
Dateless for the Christmas ball, 39-year-old bachelor, King Charles of Baltania, tracks down his American college sweetheart, only to discover Allison has never been married, yet raised a 17-year-old daughter, Lily, who mathematically might be Charles’ biological princess.
Set in postwar America, a man watches his seemingly perfect life fall apart as his daughter’s new political affiliation threatens to destroy their family.
Semih’s girlfriend suddenly breaks up with him. In search of answers about their relationship, he must soon confront what he had long ignored.
An earnest life-coach/author, Thomas Carter, is mysteriously abducted by a deranged client, Angel Sanchez, who delves into Thomas’ teachings and uses his spiritual messages of Karma – action and reaction (Vipaka), against him to terrorize him and his family for their past sins.
Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.
The film follows Doru and Mihai, boys from Iasi, Romania, over the course of a couple of days, during which they smoke weed, eat ciorbă and mistakenly shoot their dealer’s grandmother.
Chow returns to play Ko Chun, a skilled gambler who now lives in retirement in France. Wu Xingguo plays an evil gangster who forces Ko out of retirement by killing his pregnant wife. Ko is forced to team up with a variety of other people to win out in the end. Wu Chien-lien plays Chow’s romantic interest, Chingmy Yau plays a Taiwanese femme fatale, and Tony Leung provides much of the laughs.
After bungling a job in London, Albert, an international thief, masterminds a plan to rob a Geneva bank of 7 tons of gold. Assisted by the seductive Giorgia, who works from within the bank, and six other accomplices, Albert sets himself up in an expensive hotel with a battery of electronic devices to supervise the operation.
