While investigating the global phenomenon of caste and its dark influence on society, a journalist faces unfathomable personal loss and uncovers the beauty of human resilience.
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In the DMZ separating North and South Korea, two North Korean soldiers have been killed, supposedly by one South Korean soldier. But the 11 bullets found in the bodies, together with the 5 remaining bullets in the assassin’s magazine clip, amount to 16 bullets for a gun that should normally hold 15 bullets. The investigating Swiss/Swedish team from the neutral countries overseeing the DMZ suspects that another, unknown party was involved – all of which points to some sort of cover up. The truth is much simpler and much more tragic.
Albert Quinn Ingalls wants to be a doctor. But soon he discovers that he is fatally ill. He decides to spend the rest of his life in Walnut Grove. Meanwhile children from school are preparing for their traditional climbing of the mountain.
Advocates to end homelessness, organize an annual tournament for Homeless men to compete in a series of football matches known as The Homeless World Cup.
Annie, a lawyer, must help her loved ones this holiday season. Her family’s restaurant, The Starlight Café, is slated for demolition. The heir to the development firm responsible, William, makes her an unlikely proposition: he’ll spare the café if Annie spends the week “appearing” as the legal counsel his father is demanding he hire in the wake of some costly mistakes.
It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
In the massive city of Tokyo, Kumiko, a twenty-nine year old, lives in utter solitude. She works a dreadful, dead-end job under an awful boss, is intimidated by her well-off peers, and nagged incessantly by her overbearing mother who is exasperated by the fact that her daughter is not married or even in a relationship. The only joys in her life come from a grainy VHS tape – an American film in which a man buries a satchel of money in the snowy Midwestern plains – and her beloved pet rabbit, Bunzo. Kumiko is somehow convinced that this treasure is real, and obsesses over its discovery. With a hand-stitched treasure map and a quixotic spirit, Kumiko embarks on an incredible journey over the Pacific and through the frozen Minnesota wilderness to uncover a purported fortune.
A whiplash thriller in the lean, mean TAKEN tradition from Howard J. Ford, Director/Co-Writer, of the past FrightFest favourites THE DEAD and THE DEAD 2: INDIA. Former FBI agent, now single mother Lisa Brennan, takes a holiday to escape an unhappy love affair and painful family memories. But in a heartbeat is not only faced with a daughter kidnapped by human traffickers, but also faces murder charges and must keep one step ahead of the foreign police. Fasten your seatbelts for spectacular twists, startling turns and breathless suspense in a jolt-a-minute journey no mother should go on!
Follows a variety of New York characters as they navigate personal relationships and unexpected problems over the course of one day.
In this biographical drama, Selena Quintanilla is born into a musical Mexican-American family in Texas. Her father, Abraham, realizes that his young daughter is talented and begins performing with her at small venues. She finds success and falls for her guitarist, Chris Perez, who draws the ire of her father. Seeking mainstream stardom, Selena begins recording an English-language album which, tragically, she would never complete.
A romantic comedy about Amira, an English tutor, and Juki, a hot-tempered Betawi guy. It begins when Suchin, a Thailand girl who is also Juki girlfriend, asks Amira, her English tutor, to tell Juki that they brakes up because she gets a job in America. During this time she and Juki communicate through gestures. When Amira tells Suchin message, Juki does not accept it and forces Amira to teach him English, to follow Suchin. For fear of Juki, Amira tutors him privately. At the same time, another guy, Taufan, is approaching Amira.
A matriarch of a dysfunctional family is pushed to her tipping point by the disappearance of her son.