Korean martial arts master teams up with US police detective to solve the mystery of his missing sister. Their search leads to a sinister underworld organization that they must battle their way through.

Four diverse gay men navigate art, sex and love in one sublime night.

A portrait of an ordinary family that turns unstable when their frivolous son Shuji returns home after a long absence.

Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.

Brimming with action while incisively examining the nature of truth, “Rashomon” is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man’s murder and the rape of his wife.

After her fiance is falsely imprisoned, a pregnant African-American woman sets out to clear his name and prove his innocence.

Spider, a young gang leader, gets in over his head when he robs a notorious gangster. On the run, he’s taken in by a sheltered young woman and her reclusive uncle, a legendary mobster gunned down by the same gangster now pursuing Spider.

In Mansfield Park, poverty-stricken Fanny Price is sent away to live with her wealthy uncle and aunt at Mansfield Park. As she struggles to adapt to her new lifestyle she begins to attract the attentions of suitors, learning about the sexual politics of high society along the way.

A young hitman is asked to prove himself by killing an innocent woman.

One of Cannon Films’ two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini’s Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom’s maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O’Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi’s fine musical score, but the film is otherwise anemic.

A repressed middle aged man realizes that his life had become one of misery and loneliness. After becoming friends with a blind writer he had to evict from his house, he finds the inspiration and courage he needs to break all the rules he had been forced to abide by and to reconnect with life’s joy and excitement.

Writer-director Randall Miller’s heart-achingly sweet drama centers on the unsatisfying personal life of protagonist Frank Keane (Robert Carlyle), a sensitive baker who remains deeply despondent over his late wife’s untimely death. When Frank helps a stranger (John Goodman) who’s sidelined by a fatal accident on his way to a fateful reunion, he decides to show up for the rendezvous in the man’s place. In the process, he finds hope and redemption.