A poor woman in a Swedish farming community struggles to feed her large family and is torn by her passion for two different men.
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Pretty and popular, seventeen-year-old Brooke Emerson is the envy of her classmates–and even some of her closest friends. But while she seems to have it all, Brooke has never felt so lost. Ever since she sustained a head injury during a cheerleading stunt the previous year, she’s suffered from a disorder that causes her to fly into uncontrollable, sometimes violent rages. As hard as she tries to keep it together, she finds herself in danger of jeopardizing her seemingly perfect life. It isn’t until Brooke meets Jake, a handsome and charismatic stranger, that she feels like she’s found someone who not only understands her, but accepts her for who she is. As tempting as it is to get swept up in the romance, she can’t help but feel like something in their relationship isn’t quite right. When her best friend is brutally murdered, Brooke has no choice but to depend on her new love…especially because she’s worried that she might be the killer.
After a small-town wrestling star develops a crush on an openly gay classmate, he is stalked by a grotesque creature that invades his thoughts as he navigates his feelings and struggles to live up to his legacy-obsessed family.
A young mouse named Fievel and his family decide to migrate to America, a “land without cats,” at the turn of the 20th century. But somehow, Fievel ends up in the New World alone and must fend off not only the felines he never thought he’d have to deal with again but also the loneliness of being away from home.
A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the trapped travelers.
Aging wrestler Randy “The Ram” Robinson is long past his prime but still ready and rarin’ to go on the pro-wrestling circuit. After a particularly brutal beating, however, Randy hangs up his tights, pursues a serious relationship with a long-in-the-tooth stripper, and tries to reconnect with his estranged daughter. But he can’t resist the lure of the ring and readies himself for a comeback.
Ruth Duffy is getting by on an assistant’s salary at a pricey school for girls in Manhattan, managing to move beyond the trouble and loss of her teenage years. Jonny Collins is working local jobs near the Throgs Neck Bridge in the Bronx. When they cross paths after years apart, Jonny is as consumed with Ruth as he was in their high school days, and he infiltrates her life for love and profit.
A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.
During the early 16th Century idealistic German monk Martin Luther, disgusted by the materialism in the church, begins the dialogue that will lead to the Protestant Reformation.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.