An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

Nico, a drug dealer, murders a telegram messenger-boy “for kicks”, egged on by partner-in-crime, TV director Francis. Cliff, the boy’s older brother, investigates his death due to the slow progress made by the police.

David’s turning 50 and having a Mid-life Crisis! He isn’t sure his “perfect husband” loves him, and if he’s chosen the right career. Aging is something he never thought about, but now he is faced with making the rest of his life count and hopes his close friends can help. Realizing that he may only have about 35 years left, he must figure out his life to ensure happiness and fulfillment. Fate changes everything when he meets a 15-year younger man who shows him that age does not matter, and that maybe his future happiness is right in front of him.

Events in India’s history — from the Emergency and the famous Cricket World Cup win to the Punjab riots — unfold from the perspective of an innocent Sikh man Laal Singh Chaddha, a person with a low IQ but high optimism. Laal is able to achieve everything under the sun but his childhood love continues to elude him.

Norberto Lopez Amado’s They’re Watching Us is about a cop who becomes obsessed with a case. Juan (Carmelo Gomez) is ordered to head up an investigation concerning a businessman who has been missing for almost three years. The officer who worled on the case previously now resides in a mental institution and is unable to say anything other than, “They’re watching us.” A priest (Roberto Alvarez) explains how a series of disappearances in the area have supernatural underpinnings. As Juan is absorbed deeper and deeper into the case, his mother is concerned for him.

Set in late 19th century Canton this martial arts film depicts the stance taken by the legendary martial arts hero Wong Fei-Hung (1847-1924) against foreign forces’ (English, French and American) plundering of China.

The story of a couple, a spoiled son and a down-to-earth girl, in Osaka in the early Showa era. The film won the prestigious Blue Ribbon awards for best director, best actor (Morishige) and best actress (Awashima), and the Mainichi Concours award for best actor and best screenplay (Yasumi Toshio). It ranked second (after Naruse Mikio’s Ukigumo) on the Kinema Junpō top ten films for the year.

Best buds since childhood, Ben and Matt have grown apart with age. Even when Ben is diagnosed with diabetes, Matt struggles to support his friend like he should. Then, while vacationing at the lake, Matt is awakened by screams and groans coming from Ben’s bedroom. The situation is desperate: Ben is convulsing, shaking and gagging. He’s gone into a diabetic seizure and with no phone or hospital nearby, Matt’s only hope of saving his friend is making the swim to the closest inhabited house–on the other side of the lake.

A framed bank clerk breaks jail and is sheltered by a vicar until the culprit is caught in Soho.

A young woman from the American Midwest, Loïe Fuller became the toast of the Folies Bergère at the turn of the 20th century and an icon of the Belle Epoque. Inventor of the breathtaking Serpentine Dance, she was a pioneer of modern dance and lighting techniques. It was her complicated relationship to her protégé – Isadora Duncan – that precipitated the downfall of this early 20th century icon.

The story of the investigation and trial of abortion provider Dr Kermit Gosnell.

Every city has its legends and this city’s legend is the ‘Ferryman’. It is said that a person who takes on this role can help eliminate pain and sorrow from the world. Chen Mo, a bar owner, and his partner Guan Chun may seem foolish but in reality, they are an embodiment of this legend. As long as one makes a reservation, there is no problem either are incapable of solving. A young woman, Xiao Yu, makes such a reservation for her idol Ma Li, but as Chen and Guan begin to assist Xiao they begin to encounter and reckon with the sorrow hiding within themselves.