After being the sole unfortunate witness to a domestic quarrel that ends up in murder, Patrascu finds himself at odds with two very close neighbors: one is the bizarre murderer. The other is his very own conscience.
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In a rural Indian village, four ordinary women begin to throw off the traditions that hold them in servitude in this inspirational drama.
Contact is a science fiction film about an encounter with alien intelligence. Based on the novel by Carl Sagan the film starred Jodie Foster as the one chosen scientist who must make some difficult decisions between her beliefs, the truth, and reality.
Rural United States and modern urban Mexico meet in this tale of restlessness, secrets, and a very promising southward journey to reunite a family ruptured by a brutal tragedy.
Lily (76) is sure there’s nothing wrong with her. The only reason she lives in a care home is because of her husband Max’s illness: a series of strokes has reduced him to a vegetable. The fact that Lily isn’t exactly the way she used to be becomes slowly clear in the Danish drama Key House Mirror – the title refers to a memory test. It’s not easy for Lily to leave her old habits behind her and fit in with the rules of the home. Her life blossoms when she meets an 80-year-old Swedish neighbour, a charming man who gives her the attention she has long missed. Lily’s daughter, however, is not so happy with the budding romance.
The story of the encounter between a boy and a girl. He confesses that he fell in love with her at first sight, but she does not believe him. However, as they walk through the night in Madrid, they share their desires, secrets, and maybe a few little lies. But soon the film brings us back to the harsh reality of power struggles, psychological games and conflicts between the sexes. Stockholm thus offers an incredible reading of the relations between young people today.
Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.
Ôtomo gets involved with new Yakuza battles after he comes back the Yakuza society.
When immense pressure threatens a ballerina in a new lead role, she and another dancer escape into a friendship that isolates them from the real world.
A story of friendship and romance set against the backdrop of campus life, Jugni Yaaran Di follows two close buddies whose friendship is put to test when a girl comes between them.
Two estranged brothers are brought back together by the death of their mother. Her dying wish is to see them return to their birthplace and reunite with their abusive, alcoholic father. They set out on a journey that leads them to their hometown full of dark memories that the younger brother doesn’t remember and the older brother wants to forget. As each brother reconnects to the town and its people, they struggle to find the meaning of home, both for those who stay and for those who leave. Ultimately, they must confront the memory and the man of their father and are forced to choose between forgiveness and bitterness. ‘Generational Sins’ explores themes of home, grace, and forgiveness and how these ideas impact the decisions we make and the ramifications they have on people’s lives.
Based on Chetan Bhagat’s bestselling novel “The 3 Mistakes of My Life”, Kai Po Che (meaning a triumphant yell in Gujarati) is an unforgettable ode to friendship and the magical moments one shares with one’s closest pals – celebrating festivals, drunken dancing, watching cricket matches together, strategizing on how to catch the attention of the cute neighborhood girl, being there to watch each other’s back in troubled times and to celebrate one’s successes by screaming “Kai Po Che”!
Bill Nighy and Miranda Richardson star in a story of grief and celebrity, set in the intense spring and summer of New Labour’s election victory and Diana’s death. Nighy is a PR guru who has to stop and re-evaluate his world when his daughter threatens to leave his life, perhaps as revenge for his serial infidelities. Richardson plays a mother trying to bury her grief in an unconventional way after the loss of her young son.