Pro-intelligent design scholars and scientists are often chastised, fired or denied tenured positions by those who believe in Darwin’s theory of evolution.

The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio man’s moves to Brooklyn, New York, to throw an unprecedented block party.

Through the intimate portraits of five student survivors, IT HAPPENED HERE exposes the alarming pervasiveness of sexual assault on college campuses, the institutional cover-ups and the failure to protect students, and follows their fight for accountability and change on campus and in federal court.

SUPERHUMAN: The Invisible Made Visible is based on the jaw-dropping experiences of individuals with extra-sensory powers that seem to defy the laws of physics known to man today. Producer and host Caroline Cory, who has her own extensive experience in the field of Consciousness Studies and Extra Sensory Perception, takes the viewers on an extraordinary journey to achieve tangible and measurable proof of these seemingly miraculous phenomena. Through a series of groundbreaking scientific experiments and demonstrations, viewers will find themselves connecting the dots about the true nature of their own consciousness, the relation between mind and matter and discover whether they live in a simulated matrix or if they can have control over their physical reality and create a fulfilling human experience. The film ultimately shows that once the invisible worlds are made visible, this attained higher awareness will transform humans into superhumans.

A feature-length documentary to show why Britain should vote to LEAVE the EU – and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?

The film shadows Justin Peck, wunderkind choreographer of the New York City Ballet, as he undertakes the Herculean task of creating the company’s 422nd original piece. Following the creative process from its embryonic stages to its highly anticipated premiere, BALLET 422 is a powerful celebration of the skill and endurance of New York’s most talented dancers—as well as those who remain hidden in the wings.

Dylan Mars Greenberg, an independent filmmaker from New York City, shares her personal struggles and achievements as a minority in the filmmaking industry.

Bad Seed is the tale of a tiny little seed that some see as good and others believe is evil. Cannabis and hemp can drastically improve the quality of life of people suffering from a wide range of symptoms and illnesses yet people are denied relief due to marijuana’s bad reputation. Is cannabis a bad seed? Or have it’s extraordinary health benefits been unjustly suppressed by government, law enforcement and corporate manipulation? Following the story of a medical marijuana user and activist, filmmaker Shayne Metcalfe delves into the history of cannabis prohibition in Canada, the United States and Mexico over the past century. Incorporating the perspectives of law enforcement, doctors, lawyers, activists, commercial growers, medical patients, historians and entrepreneurs, Bad Seed tells the fascinating story of how one of nature’s gifts came to be vilified and provides an intriguing look at the rapidly changing marijuana landscape.

Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.

A new documentary by Irish director Niall McCann, “Lost In France” explores the rise of Scotland’s independent music scene in the ’90s, led by cult label Chemikal Underground. Featuring The Delgados, Bis, Mogwai, Arab Strap, Franz Ferdinand and other seminal acts, this is an intimate film exploring friendship, creativity and music. On the journey, we revisit a defining, chaotic trip early in the musicians’ careers, re-staging a concert in Brittany that connects the characters in life (and on stage) for the first time in many years.

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The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.