Beyoncé and Jay Z perform live in Paris at Stade de France during their 2014 “On the Run Tour.”
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From acclaimed director Michael Apted (The Up Series, Masters of Sex, The World is Not Enough) comes a revealing look at the art of filmmaking and photography. A journey of glass, the documentary explores the relationship between the artisans who create camera lenses and the masters of light who use these lenses to capture their beloved art form. Bending the Light features never-before-seen footage from inside a premier Japanese lens factory, intimate interviews with lens engineers, and a peek into the world of award-winning photographers and cinematographers Stephen Goldblatt, ASC, BSC, Greg Gorman, Simon Bruty, Laura El-Tantawy, and Richard Barnes.
Veteran suicide is a national tragedy on an epic scale.A remarkable treatment is proving more powerful than ever imagined: Pairing veterans with wild mustangs taken straight off the range; miraculously turning despair into enduring hope.
Filmmaker Mark Cousins, who was brought up in a Northern Irish war zone, travels to Goptapa, a Kurdish-Iraqi village of just seven hundred people on a tributary of the Tigris river, and tries to make a dream film about a place that is normally only portrayed in current affairs programmes. He gives the kids cameras, and they make their own little movies about war, love, a fish that goes to a magical place, and a chicken who debates justice.
When filmmaker and investigative journalist Frances Causey, a daughter of the South, set out to explore the continuing racial divisions in the US, what she discovered was that the politics of slavery didn’t end with the Civil War. In an astonishingly candid look at the United States’ original sin, The Long Shadow traces slavery’s history from America’s founding up through its insidious ties to racism today.
On the Guajira peninsula in northern Columbia the old traditions of the indigenous Wayuu still hold sway. As soon as they begin menstruating, young women have to go and spend a year in a simple hut where only a few women are allowed to visit them. Contact with men is taboo. The grandmother is chiefly responsible for preparing the girl for her role as a woman during this period of seclusion. Pili is 12 years old when, for her grandmother’s sake, she decides to follow this custom. But does she really know what she is taking on?
The secrets of film financing from insiders and the untold story of funding “The Blair Witch Project,” the most profitable independent film in history. Insight into funding films, how it’s done, what works, what doesn’t and how to find investors.
In the early 1970s on the shores of sleepy Miami Beach, a group of teenage outcasts are ushered into adulthood by the enigmatic Rene De Dios, the self-proclaimed “greatest shark fisherman in the world.”
Documentary looking at the music and mythology of a golden era in Californian culture, and telling the story of how Los Angeles changed from a kooky backwater in the early 1960s to become the artistic and industrial hub of the American music industry by the end of the 1970s. The film explores how the socially-conscious folk rock of young hippies with acoustic guitars was transformed into the coked-out stadium excess of the late 1970s and the biggest selling album of all time.
The powerful story of the Vegas Golden Knights in their very first year of existence, when they healed and unified their home city after the worst mass shooting in U.S. history and took an unprecedented run for the Stanley Cup.
The belief in spirit possession has remained virtually unchanged since the beginning of civilization and still exists to this day. “The Exorcism Prayer” dives into the religious practice of evicting demons from a person, or areas that are believed to be possessed and goes after the truth, and returns with true stories that may haunt you forever.
“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux
