Bob Marley’s universal appeal, impact on music history and role as a social and political prophet is both unique and unparalleled. Directed by Academy Award-winning director Kevin Macdonald (The Last King of Scotland), MARLEY is the definitive life story of the musician, revolutionary, and legend, from his early days to his rise to international superstardom. Made with the support of the Marley family, the film features rare footage, incredible performances and revelatory interviews with the people that knew him best.

The story of Florence Foster Jenkins, a New York heiress, who dreamed of becoming an opera singer, despite having a terrible singing voice.

An optimistic (and witty) discovery of what people are already doing, what we as a nation could be doing and what the world needs to do to prevent (or at least slow down) the impending climate crisis.

Comedy special featuring socio-political comedian W. Kamau Bell, who brings his characteristically biting and hilarious take on the real issues of contemporary America from gentrification to raising his family in a post-Obama nation.

A documentary that leads the audience from Namibia to Kilimanjaro to explore the African wildlife.

Join high school-aged girls from around the world as they try to better their community through technology and collaboration in this thrilling, heartfelt documentary. By 2017, the app market will be valued at $77 Billion. Over 80% of these developers are male. The Technovation Challenge aims to change that by empowering girls worldwide to develop apps for an international competition. From rural Moldova to urban Brazil to suburban Massachusetts, CODEGIRL follows teams who dream of holding their own in the world’s fastest-growing industry. The winning team gets $10K to complete and release their app, but every girl discovers something valuable along the way.

Today in the United States, by the simple acts of feeding ourselves, we are unwittingly participating in the largest experiment ever conducted on human beings. Each of us unknowingly consumes genetically engineered food on a daily basis. The risks and effects to our health and the environment are largely unknown. Yet more and more studies are being conducted around the world, which only provide even more reason for concern. We are the oblivious guinea pigs for wide-scale experimentation of modern biotechnology. GMO OMG tells the story of a fathers discovery of GMOs in relationship to his 3 young children and the world around him. We still have time to heal the planet, feed the world, and live sustainably. But we have to start now!

A documentary following the inspiring journey of 25 yr old, 58 pound Lizzie from cyber-bullying victim to anti-bullying activist

Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi’s husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other.

Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.

The film follows a shy, talented musician who pens romantic hip-hop verses only to stand idly by as they’re delivered to the girl of his dreams by a proxy, his best friend. Made for Disney Channel movie/

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.