In 1936, 18 African American athletes dubbed the “black auxiliary” by Hitler defied Nazi Aryan Supremacy and Jim Crow Racism to win hearts and medals at the 1936 Summer Olympic Games in Berlin. The world remembers Jesse Owens. But, Olympic Pride American Prejudice shows how all 18 are a seminal precursor to the modern Civil Rights Movement.
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The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
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Under the rule of King David, Israel is united and prosperous although surrounded by enemies including Egypt and its allies. The aging King David favors his younger son, Solomon, as his successor, but David’s elder son Prince Adonijah, a warrior, declares himself King. When David learns of this, he publicly announces Solomon to be his successor. Adonijah and Joab, his general, withdraw in rage. Israel prospers under King Solomon’s wise and benevolent rule and is seen as a threat to more tyrannical monarchs in the region. The Pharaoh of Egypt agrees to cede a Red Sea port to the Queen of Sheba in a plot to undermine Solomon’s rule. Sheba is to seduce Solomon and introduce Sheban pagan worship into Jerusalem. Meanwhile, Prince Adonijah, now banished, also conspires with Pharaoh and is given an army to defeat Solomon. The film is a highly fictionalized dramatization of events depicted in The Bible — First Kings chapter 10 and Second Chronicles chapter 9.
Direct cinema pioneer Frederick Wiseman takes an in-depth look at the preeminent American university during a fall semester that saw a vigorous debate taking place over tuition hikes, budget cuts, and the future of higher education in the United States.
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Documentary about the making of the 1996 horror-comedy.
