Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic’s first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris’ performance in the decathalon and the games’ majestic closing ceremonies.
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Feature length documentary about the story behind the pioneering and influential British heavy metal band as they enter the studio to record their new album.
Strange Creatures of the Arctic highlights five animal winter specialists who brave the harshest winters with amazing evolutionary adaptations. These inhabitants of the Arctic and Subarctic deal with extreme temperatures, predators, and a changing environment through a variety of unique tools. Explore their environments and the evolutionary pressures that have caused them to develop these adaptations.
Explores the meaning of fame and influence in the digital age through an innovative social experiment. Following three Los Angeles-based people with relatively small followings, the film explores the attempts made to turn them into famous influencers by purchasing fake followers and bots to “engage” with their social media accounts.
A Japanese skier tries to fulfill his dream of sking down Mount Everest.
After a life-altering experience, an influential musician is moved to challenge his Culture with a message of Resurrection in an era dedicated to murder, death, and self-destruction.
Vika, who is 84, is one of the eldest DJs in the world. Because of her attitude, she is far from any stereotypes about senior citizens. Bittersweet documentary musical about consistence in following your own path and fighting for your dreams.
What has Nasa been hiding from us beyond the visual spectrum?
Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi’s visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.
Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.
Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor.
