With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate businessman seeks revenge on his captors.
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It is the story, the process of becoming more and simultaneously less than human through technology as it follows a few characters through this transformation of becoming.
The year is 2047. Our planet is ruled by the repressive Confederate Central Government (CCG). Ryan is a Green War rebel agent sent on a mission by Sponge to collect evidence against the CCG for its heinous crimes. Ryan soon faces the sinister Colonel Asimov, Major Anderson and a group of mercenaries lead by Lobo. His mission quickly turns chaotic when he meets Tuage, a mutant survivor of the CCG rebellion who swears to help Ryan save what is left of their world … or does she?
Two sisters are trying to repair their relationship while one keeps a dark secret from the other. After crossing paths with a wealthy woman dealing with an illness that has caused her husband to be resentful and ashamed of her, they come to understand that secrets among the average and the affluent are truly not that different. Will fate bring them to face revelations from the past and start a journey of forgiveness and healing?
Pixel Veil presents “The Alchemist’s Letter,” a richly inventive and visually stunning dark fairly tale. When Veridian, an estranged young man, receives his late alchemist father Nicolas’ inheritance (voice of Academy Award® nominated John Hurt), he is exposed to the ill-fated reality that his father built a tumultuous gold making machine powered by his own memories. The film takes us on an enchanted journey through the vessels of the machine where we explore the contents of the alchemist’s most precious memories, all in an attempt to give his son one last life lesson and save his relationship with his daughter (voice of Eloise Webb) from following down the same fateful path.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
On New Year’s Eve, inside a police station that’s about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop.
Andy “Brink” Brinker and his in-line skating crew–Peter, Jordy, and Gabriella–who call themselves “Soul-Skaters” (which means they skate for the fun of it, and not for the money), clash with a group of sponsored skaters, Team X-Bladz–led by Val–with whom they attend high school in southern California. When Brink discovers his family is in financial trouble, he goes against the wishes of his parents and his friends and joins Team X-Bladz. Brink tries to lead a double life but will be able to pull it off?
When Danielle’s husband goes missing in action during his deployment, she is left to raise her daughter on her own. Three years later, as she acclimates to life without him, she begins to tell her daughter bedtime stories of her father.
