In the school-set re-working of Cyrano, an awkward but imaginative pupil helps the handsome but spectacularly dim school-hero pursue the fiery daughter of a visiting French teacher.
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Revolving around a middle-class family, Kaagaz Ke Fools touches upon the issue of lack of good novel writers. Kaagaz Ke Fools is a 2015 Indian comedy film directed by Anil Kumar Chaudhary and produced by Faisal Kapadia and Arun Bhairav under the Globe Filmy Entertainment banner. The film was released on 24 April 2015
Fed up with being targeted by the neighborhood bully, 10-year-old Lucas Nickle vents his frustrations on the anthill in his front yard … until the insects shrink him to the size of a bug with a magic elixir. Convicted of “crimes against the colony,” Lucas can only regain his freedom by living with the ants and learning their ways.
A hard-worker freelancer who falls in love with a doctor. While his life is getting worse every second. He must find the way to release his life to the beyond of everything.
‘Chirakodinja Kinavukal’ is based on the story of the same name by the character Ambujakshan (Sreenivasan) from the film ‘Azhakiya Ravanan’. The story of Ambujakshan was discarded by Sankar Das (Mammootty) and friends of ‘Azhakiya Ravanan’. But Ambujakshan does not give up hope. In the new gen era, he meets the new directors and finally his wish is fulfilled. The movie directed by debutant Santhosh Viswanath features Kunchacko Boban and Rima Kallingal in the lead roles. ‘Chirakodinja Kinavukal’ is the story of a tailor and his love interest Sumathy (Rima Kallingal), daughter of a wood cutter. Kunchacko Boban does the roles of the tailor and an NRI who comes to marry Sumathy.
A young woman, recently released from a mental hospital, gets a job as a secretary to a demanding lawyer, where their employer-employee relationship turns into a sexual, sadomasochistic one.
Five years after “The Slashening,” 22-year-old Madison Santangeli moves to Brooklyn to start a new life in the wake of her father’s suicide.
On the hottest day of the year, an unknown virus spreads throughout inner-city Philadelphia. The infected victims, crazed by dehydration, begin attacking other residents of the neighborhood in gruesome ways. When the military is brought in to contain the situation, but realize they can’t come up with a vaccine quickly enough, they fence off the area and let everyone die. A group of locals, stuck in the basement of their building, behind the fences, and separated from their family members, band together to try to survive.
Four runaway teenagers are catapulted on a wild and uplifting road trip out of the city and across the water to a magical island music festival.
When a mysterious stranger arrives from the future with a dire warning, Leo is forced to rise and lead his brothers, Raph, Donnie, and Mikey in a fight to save the world from a terrifying alien species.
After the events in God of Gamblers II, Tai-Kun who lost his ESP powers has regained the abilities again and seeks revenge against Sing, the Saint of Gamblers. When Tai-Kun, aided by his fellow disciples, exerts ESP powers under full force against Sing who is doing likewise to them, the spacetime becomes distorted and sends Tai-Kun and Sing to Shanghai in 1937. Meeting his own grandfather Chow Tai Fook and the benign millionaire Ding Lik, Sing must deal with Ding Lik’s foes and the Japanese military forces, with his “mistaken” crush on one of a pair of twin sisters, find out who defeated the French “God of Gamblers”, Pierre Cashon, in that era (the mysterious “Comment allez-vous”), and finally find out how to travel back to Hong Kong in 1991.
A working-class family in London’s East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher’s premiership. Only the mother Mavis is working; father Frank and the couple’s two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis’s sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.
