Two French Canadian ne’er-do-wells travel to New York City with a scheme to a get rich quick selling Christmas trees.

Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.

Gillespie has to finally choose his official assistant, or Red and Lee are going to kill themselves in competition. So, it’s another diagnosis competition. Lee’s assignment is a small girl who falls ill whenever she eats candy. Red has to cure a girl’s mother of a debilitating case of arthritis. But when Red needs Lee’s help, will either one live with Gillespie’s choice?

When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city’s underground bars, young rookie Steve Burns infiltrates the S&M subculture to try and lure him out of the shadows.

Jonas, a 40 something Parisian, is still desperately in love with his ex-girlfriend Léa. When he knocks on her door to confess his feelings and she turns him down, he ends up at the café downstairs. Inspiration strikes and he sits down to write her a long love letter, dodging everything he was supposed to do that day. What begins as a last attempt to get her back surprisingly turns into a vivid musing on the state of his life. Over the course of a day, helped by a wisecracking bartender and an array of patrons from the neighborhood, Jonas has to face his past relationships, his uncertain future and, most of all, himself.

Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.

María, Nacho and Suso are three lifelong friends. The three have experienced many things together, some very beautiful and others not so much, things that united or separated them. And suddenly, in the middle of life, they must face death.

Karin hopes to recover from her recent stay at a mental hospital by spending the summer at her family’s cottage on a tiny island. Her husband, Martin, cares for her but is frustrated by her physical withdrawal. Her younger bother, Minus, is confused by Karin’s vulnerability and his own budding sexuality. Their father, David, cannot overcome his haughty remoteness. Beset by visions, Karin descends further into madness.

The journey of Christian Lafayette, a French soldier who, in the aftermath of a murderous ambush in Afghanistan, has returned to France. Soon mixed up in trafficking opium with Mounir, his brother-in-arms who was wounded in the ambush, Lafayette, a foster child, and tormented war hero, chooses a new family and life – a criminal’s life. To escape this vicious circle of violence, Christian has to learn how to love.

Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.

Based on the real-life Richard Speck murders, amoral, nearly psychotic killer Warren Stacey (Gene Davis) is a serial killer who has murdered a number of women; he stabs them while they are naked to minimize leaving any physical evidence. Police detective Leo Kessler (Charles Bronson) is convinced of Stacey’s guilt and, over the objections of his partner, plants evidence to get him behind bars. When Stacey is released on a technicality, he threatens to go after Kessler and his family, leaving Kessler to defend himself against a killer with little help from the police.

In Korea, on 6 September 1950, Lieutenant Benson’s platoon finds itself isolated in enemy-held territory after a retreat. Soon they are joined by Sergeant Montana, whose overriding concern is caring for his catatonic colonel. Benson and Montana can’t stand each other, but together they must get the survivors to Hill 465, where they hope the division is waiting. It’s a long, harrowing march, fraught with all the dangers the elusive enemy can summon.