Culture Club, Spandau Ballet, Visage, Marilyn, Adam and the Ants, Duran Duran, ABC… At the dawn of the 80s, a whole host of strangely dressed men in make-up burst forth onto the music scene brandishing synthesisers and kicking against the visual ugliness of punk.

South African filmmaker Jo Menell is most well-known for the cult feminist classic, Dick (1989), which featured 1000 penises accompanied by an audio commentary from women. The nature of that film, however, belies a rich career in film and journalism that spans the Vietnam War, the Allende government in Chile, the emergence of gay rights in San Francisco, a 1981 Bob Marley documentary, an Oscar nominated film about Nelson Mandela (1997), and the Street Talk television series, as well as close relationships with key figures from the 20th Century. Born into a life of privilege, Menell had progressive political inclinations and soon left apartheid South Africa for Britain where he was schooled in the ways and connections of the British ruling class. The film chronicles his amazingly rich and varied life using archival footage alongside a series of interviews conducted with Menell while his portrait was being painted by Cape Town artist Beezy Bailey.

In 1994, Sarajevo was a city under siege. Mortars and rocket propelled grenades rained onto the city, killing indiscriminately, every day. Amongst the madness, two United Nations personnel: a British military officer and another Brit working for the UN Fire Department, decided it would be fun to persuade a global rock star, Bruce Dickinson of Iron Maiden, to come and play a gig to the population. Scream for Me Sarajevo brings that story, in all its madness, to the big screen. A story of musicians who risked their lives to play a gig to people who risked their lives to live them.

419: The Internet Romance Scam’ follows the stories of two middle-aged British women – Brenda and Caroline – who were both scammed in late 2009 by men using fake identities. Despite similar beginnings – a work trip to West Africa, followed by a terrible car crash, and a plea for urgent hospital fees, the stories take staggeringly different twists.

A high society wedding, bustling city streets, a center for former child soldiers, a nightclub full of music and laughter: these are the many faces of today’s Uganda, as wonderfully captured by filmmaker Kimi Takesue. Whether exploring the pulsating energy of the city or contemplating quiet moments in the country, her artful camera compositions and the lyrical pacing of the film allow us to truly engage and process the foreign land on our own terms. Documenting Uganda while it deals with day-to-day realities and the aftermath of its civil wars, Takesue, well aware of her perspective as an outsider, strives for simple, unadorned honesty. Employing a largely observational style, Takesue allows the sight and sounds-and the people-of Uganda to speak for themselves. Usually the people she records simply ignore the camera, but when someone does engage-whether it’s a group of school children…

Documentary revealing the inner workings of the world’s most powerful intelligence organization, with unprecedented access to America’s spy network, all 12 living CIA directors and top agency operatives, who talk candidly about torture, secret prisons, drone warfare, alleged assassinations and the constant threat of attack, which begs the question: how far should America go to keep us safe?

A 70-minute sequel to The Great Deception. In this work, Zwicker contends that fear was used to control the public after 9/11, and states that the “War on Terrorism” is a public control mechanism. He also analyses the military breakdown on 9/11 and claims that the president and his aides acted entirely inappropriately that day. Throughout, mainstream media is accused of being either compliant or complicit with a cover-up.

After seven years in a Thai prison, a former Muay Thai champion joins a controversial government program that allows inmates to fight for their freedom. A victory in his final fight will grant him a royal pardon and bring him one step closer to the son he left behind.

Goddess Snow and her close friends Ceara Lynch, Princess Rene, Astro Domina, Princess Meggerz and Sarah DiAvola have built a supportive underground punk scene of fetish content creators, empowering each other, their clients, fans and the rest of the adult population to engage in the fight for a shame-free, consensual, and safe exploration of one’s sexuality. Dancing between the worlds of online fetish content creation, and in-person domination sessions, Goddess Alexandra Snow has built a thriving empire which supports the empowerment of women, sex workers, and anyone who has ever felt like a misfit.

Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving — until Redding grabs them with his charged rendition of “Shake.” Redding’s performance also includes “Respect” (which he wrote), “I’ve Been Loving You Too Long,” “Satisfaction,” and “Try a Little Tenderness.” Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton’s 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.

Three-time Grammy and Emmy nominated comedian Margaret Cho performs in front of a live audience in this provocative and hilarious comedy special event, tackling off-limits issues from Boko Haram to female empowerment with her razor sharp insight and wit.

Living with with life shortening genetic lung condition called Cystic Fibrosis, Nick Di Brizzi is on his journey to finding new lungs for a chance at a longer life.