Not Waving But Drowning is a chronological look at growing up, formed from two different stories. The two sets of friends represent the American dilemma between what you have known and what you hope to know; the tear between longing for the past and the desire to explore.
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A young and devoted morning television producer is hired as an executive producer on a long-running morning show at a once-prominent but currently failing station in New York City. Eager to keep the show on air, she recruits a former news journalist and anchor who disapproves of co-hosting a show that does not deal with real news stories.
Unexpected tragedy causes a coming-of-age woman to question the meaning of life, until she finds her purpose by helping others deal with the loss of a loved one.
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Sarah Prentice has lived in her house for the past two years. Her fear of going outside has crippled her ability to interact with the outside world. She struggles through the everyday processes of life as she has an uncontrollable Obsessive, Compulsive Disorder (OCD). Her life is focused on the simple process of getting ready for work. For the everyday person it is as simple as getting up and getting dressed for Sarah it’s a marathon of emotions.
In real life, mystery writer Agatha Christie disappeared for 11 days in December 1926. To this day, no one knows the details of what she did during that time. The film gives a fictional account of Christie’s time away, showing her as a woman fleeing her own life after the death of her mother and the announcement from her husband that he is leaving her. She flees to a spa in Harrogate. With the whole country looking for her, an American reporter finds her and ultimately tries to help her.
Living in her family’s secluded mansion, Audrina is kept alone and out of sight and is haunted by nightmares of her older sister, First Audrina, who was left for dead in the woods after an attack. As she begins to question her past and her disturbing dreams, the grim truth is slowly revealed.
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