Ten years after his retirement, ‘death-match’ wrestler Nick Mondo is distressed to find a new generation mimicking his former self destructive antics.

Criminology Professor Dr. Jonathan Maxwell does not believe that Professor Archer Coe died of a heart attack, so he hires his friend Mike Parker to investigate. The pair discover that the murdered professor had many enemies, and many secrets.

Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.

As a result of a traffic accident involving a violation of the centerline, the perpetrator dies, and the victim falls into a coma. After some time, the wife of the perpetrator, Heejoo, returns. Heejoo is bewildered at the fact that the victim’s wife Youngnam is also working at the factory where she goes to work. By accident, Heejoo becomes close with Youngnam’s daughter Eunyoung and learns a new fact about the incident. The true nature of this accident, where Heejoo’s husband was known to have crossed over the centerline, is actually very complicated. Since the social issues of dispatched labor and industrial accidents and personal issues of depression and family trouble are intertwined here, it is more difficult to apprehend.

A nine-year-old boy gets a plastic Indian and a cupboard for his birthday and finds himself involved in adventure when the Indian comes to life and befriends him.

What it’s like to drive the once vandalized now famous, ‘Fagbug’ to all 50 states in the USA.

Soo-hyun comes across magical pills that allow him to go back and forth in time. 30 years to the past, young Soo-hyun meets future Soo-hyun and learns that his girlfriend will soon die because of him. In order to save her, the two Soo-hyuns try to change the past together, but a completely new and unexpected past is formed that leads to a new future.

A THOUSAND ACRES is a drama about an American family who meets with tragedy on their land. It is the story of a father, his daughters, and their husbands, and their passion to subdue the history of their land and its stories.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

Set in 1951, a blacklisted Hollywood writer gets into a car accident, loses his memory and settles down in a small town where he is mistaken for a long-lost son.

A father, who unexpectedly gets custody of his teenage daughter, has a second chance to gain back her trust and rebuild their relationship.

The film’s events revolve around a family consisting of seven children, and the work discusses the problems of each son, such as Nabila, whose husband refuses to have children and threatens to separate her when he learns of her pregnancy, as well as the problems of university students between ambition and love. The film reviews the difficulties that parents face in bearing the burdens of their children.