This two-hour special reveals the complicated history, extreme politic, and rigid societal standards that have created a legacy of internal oppression and external aggression. As the North Korean people suffered famine, labor camp and public executions, the Kim regime spent three generations relentlessly pursuing nuclear ambitions. They operate as a criminal syndicate, using counterfeit money, drugs and cyber espionage to fund their war machine. Now, with weapons rivaling the world’s superpowers, their aggressive rhetoric has pushed the world to a crisis point.
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In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. “Tora! Tora! Tora!”, named after the code words use by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.
During the last days of Stalin’s reign, a doctor (Marina Hands) tries to go unnoticed in a society of mutual dread where a neighbour or colleague might “denounce” you to the authorities at any moment.But tales of her healing touch have spread and one night she is taken away, not to the infamous Lubyanka prison, but to the Kremlin to attend the ailing Comrade Stalin himself. Uncle Joe (André Dussollier), an old man racked with pain but still as watchful and deadly as a snake.
An arrogant queen becomes a fugitive in her own land after being overthrown by a charismatic revolutionary and must face hardship and danger as she embarks on a voyage to win back her throne.
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Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ’s image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive “civilizing” brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.