Directed by a different Matthew Price than the MAMO host, this film follows a team of programmers develop a revolutionary new dating app called Other Halves. On the night before the app is set to launch, they discover it causes strange side effects: users lose all self-control, becoming amoral, lascivious, violent… evil. They consider shutting the app down, but… Evil is profitable.

Arab-American comedian Mo Amer recounts his life as a refugee comic, from traveling with the name Mohammed to his long path to citizenship.

When the twins feel like their mom is tired of them, they take off on an exciting adventure to grandmother’s house and encounter a pair of villains along the way.

The people’s private army and their crazed leader Jake, have a simple plan – take over the world. But, there are three things in their way, money and two deadly kickboxers – The Twin Dragons. Jake’s devious plan has the Twin Dragons captured, drugged, and set loose on an island for a little game called “Kill the Twins.” Outnumbered and out-gunned, the Twins spring into action turning the hunters into the hunted.

Saturday 24th December 1994. Four GIA terrorists hijack an Air France A300 Airbus at the Algiers airport. The Airbus, bound for Paris, has 227 passengers on board. No one knows exactly what the terrorists’ intentions are, just that they are armed and extremely determined. They demand the liberation of their “brothers in arms” and want the aircraft to take off at once. After very lengthy and intense negotiations between the French and Algerian governments, the plane is finally allowed to leave. There are three main characters at the heart of the action: a member of the GIGN, Carole Jeanton, an ambitious technocrat willing to do anything it takes to achieve personal gain from the events, and Yahia Abdallah, a determined jihadist who grew up in the slums of Algiers and was being manipulated by an obscure GIA envoy, Ali Touchent.

Daisy inherits a spooky old estate from her late grandfather, a martial arts master whom she never met. When she shows up on the property, she soon discovers the house is haunted by her grandfather’s spirit and the ghost of a mysterious man named William. When treasure-hunting criminal descend on Daisy’s new home, she is forced to call on her new supernatural friends to fend them off.

Determined to disrupt the wedding of his ex-girlfriend by bankrupting her family, underachieving, wanna-be rapper Vinny and his neighborhood pals concoct a plan to steal her family’s jewels from a supermarket safe.

Three thugs kidnap Emma, the daughter of a drug kingpin, and have no idea that murderous blood that runs through her veins. As time passes, the unlucky threesome finds themselves in danger from the police, gangsters and their captive.

Max Keeble, the victim of his 7th grade class, plots revenge when he learns he’s moving; it backfires when he doesn’t move after all.

A husband and wife reevaluate their marriage after their closest friends, another couple decide to split up after twelve years.

Tired of his parents’ constant bickering, 15 year old Damien is certain they’re all wrong for each other— he would know, he’s a relationship expert. Damien and his best friend Erin have a side hustle coupling-up classmates for the right price. So when Damien discovers his parents may have had a shotgunning wedding, he convinces Erin to turn their efforts toward finding his parents new partners— but the cost of doing business may come at the price of everyone involved.

When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.