A young woman’s arrival sparks a surge of energy into a laid-back, artistic Los Angeles household, forcing the residents to confront their own fears and desires in an intricate dance of lust, denial and deception.
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Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.
When she’s diagnosed with breast cancer, Brenda begins completing her bucket list with the help of the daughter she long ago put up for adoption.
Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own.
A young museum curator Isabelle (Katie Goldfinch) is sent to look at an ancient artefact, discovered in the basement of a stately home in Shropshire. Welcomed into the sprawling manor house by a seemingly hospitable family; Karl (Larry Rew), his wife Evelyn (Babette Barat) and their beautiful daughter Scarlet (Florence Cady), but all is not what it seems, as a dark and terrifying secret hangs over them.
The setting is the east shore of the Caspian Sea (today’s Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian Asia for a number of years. After being hospitalised and then demobbed, he sets off home to join his wife, only to be caught up in a desert fight between a Red Army cavalry unit and Basmachi guerrillas. The cavalry unit commander, Rahimov, “convinces” Sukhov to help, temporarily, with the protection of abandoned women of the Basmachi guerrilla leader Abdullah’s harem. Leaving a young Red Army soldier, Petrukha, to assist Sukhov with the task, Rahimov and his cavalry unit set out to pursue fleeing Abdullah.Sukhov and women from Abdullah’s harem return to a nearby shore town. Soon, looking for a seaway across the border, Abdullah and his gang come to the same town…
December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: “Cyrano de Bergerac”.
Jimmy Valentino has been saved by a miracle – or at least that’s what he believes. Given his second chance, Jimmy conveys what he’s discovered to other terminally ill patients who, to his astonishment, quickly recover. Jimmy tries to keep his profile and the results of his interventions under the radar but when word spreads, the world converges upon him. A few admire him. Some try to imitate him. Most denounce and disparage what he does as dangerous and sacrilegious. When a patient dies after following what he believes is Jimmy’s advice, Jimmy is arrested and prosecuted. With his life in peril once again, Jimmy needs another miracle – one that can’t be questioned.
An unknown virus begins to spread infecting the local population almost instantly, but footage found by the CDC of one man’s survival may just help them find a cure.
