Addicted to technology, a group of teens attends a rehabilitation camp in the forest, but a sinister force there intends to take them offline forever.
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Jason Cole is the quintessential Renaissance Man. He has a successful career, a beautiful wife, home, and prides himself on being a man of integrity and hard work as an FBI Agent. He appears to have it all. Until his past rears its head and propels him into a situation that not even he, with all of his training and expertise, could have prepared him for.
Marcus Burnett is a hen-pecked family man. Mike Lowry is a foot-loose and fancy free ladies’ man. Both are Miami policemen, and both have 72 hours to reclaim a consignment of drugs stolen from under their station’s nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other.
A woman hiking through a forest witnesses four men committing a crime and attempts to escape, teaming up with a forest ranger along the way.
A naive college student loses a scholarship at the hands of a classmate and makes a pact with a mysterious friend to kill off each other’s enemies.
That crazy killer nurse is at it again! Edith Mortley continues to slay more and more dumbfounded patients, turning them into rat food.
The Democratic Republic of Congo has endured 20 years of devastating violence. Rape has been used as a weapon of war to destroy community and access precious minerals. Congo is often referred to as “the worst place in the world to be a woman.” CITY OF JOY tells a different story of the region. The film focuses on Jane, a student at a center where women who have suffered unimaginable abuse join together to become leaders. We also meet the founders of the center: a devout Congolese Doctor (Dr Denis Mukwege, 2016 Nobel Peace Prize nominee) a Congolese activist (Christine Schuler-Deschryver) and a radical N.Y. playwright (Eve Ensler, author of The Vagina Monologues). The film weaves between joy and pain as these individuals band together to demand hope in a place so often deemed hopeless.
Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show “Romy the Vampire Slayer”. Unfortunately, her own demons show up.