While covering the annual Nobel Banquet for tabloid Kvällspressen, crime reporter Annika Bengtzon witnesses a spectacular murder right in front of her. Two people are shot, one of them the controversial Laureate in Medicine, Aaron Wiesel. Annika is the key witness and is bound by the police not to disclose anything she has seen. A terrorist group with connections to the Middle East quickly admits responsibility for the murder. International press is all over the story, as are the police.
You May Also Like
Haunted by his traumatic past and cautious about the prospects of an uncertain future, a fourteen year old boy named Juhani winds up in an isolated boys’ home known as The Island. Juhani (Niilo Syvaoja) has been shuttled between foster homes and temporary families for the past six years, leaving any prospect of stability in his life a faded dream. When Juhani winds up in a remote shelter for troubled youth known as The Island, he has little idea of how ruthless superintendent Olavi Harjula (Tommi Korpela) can truly be.
‘Shoelaces’ tells the story of a complicated relationship between an aging father and his special-needs son, whom he abandoned while he was still a young boy. Reuben’s (60) kidney’s are failing and his son Gadi (35), wants to donate one of his own kidney’s to help save his father’s life. However, the transplant committee objects to the procedure claiming that Rueben, acting as Gadi’s sole legal guardian, does not have the right to authorize such an invasive procedure. Gadi, who recently lost his mother, is afraid of losing his father as well. He feels he finally has the chance to do something meaningful; to become a man and stand on his own. He’s furious with the committee’s decision and sets out to fight for his right to save his father’s life. Through the film’s portrayal of a relationship full of love, rejection and co-dependency, it manages to shed some light and question the importance of human life, human connection and if life is even possible without it either one of them.
The Côte d’Azur. 1915. In his twilight years, Pierre-Auguste Renoir is tormented by the loss of his wife, the pains of arthritic old age and the terrible news that his son Jean has been wounded in action. But when a young girl miraculously enters his world, the old painter is filled with a new, wholly unexpected energy. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. Back at the family home to convalesce, Jean too falls under the spell of the new, redheaded star in the Renoir firmament. In their Mediterranean Eden – and in the face of his father’s fierce opposition – he falls in love with this wild, untameable spirit… and as he does so, within weak-willed, battle-shaken Jean, a filmmaker begins to grow.
In 1801, after a new king ascended the throne, a scholar Jeong Yak-jeon who served the late king is exiled to Heuk-san Island. There he meets Chang-dae, a young fisherman who is a huge admirer of Confucianism and has a wide knowledge about the sea.
The Boat that Rocked is an ensemble comedy, where the romance is between the young people of the 60s, and pop music. It’s about a band of DJs that captivate Britain, playing the music that defines a generation and standing up to a government that wanted control of popular culture via the British Broadcasting Corporation. Loosely based on the events in Britain in the 60’s when the Labour government of Harold Wilson, wanted to bring the pirate stations under control, enough to see the passage of the Marine Broadcasting Offences Act on 15 August 1967
Many years ago, hundreds of locals and tourists were massacred by giant man-eating sharks in the infamous 1916 Jersey Shore attacks. But that’s just a legend… or is it? It’s a holiday weekend on the Jersey Shore and, unbeknownst to anyone, underwater drills have attracted dozens of albino bull sharks to the pier. When a man goes missing, TC (The Complication), Nookie and friends fear the worst and plead with the police chief to close down the beach. It isn’t until a famous singer is eaten alive during a performance on the pier that the shark hunt begins. Now, the Preppies must work together with the Guidos in order to save the Jersey Shore and its inhabitants from another vicious slaughter.
Newly single, 35, and uninspired by his job, Jesse Fisher worries that his best days are behind him. But no matter how much he buries his head in a book, life keeps pulling Jesse back. When his favorite college professor invites him to campus to speak at his retirement dinner, Jesse jumps at the chance. He is prepared for the nostalgia of the dining halls and dorm rooms, the parties and poetry seminars; what he doesn’t see coming is Zibby – a beautiful, precocious, classical-music-loving sophomore. Zibby awakens scary, exciting, long-dormant feelings of possibility and connection that Jesse thought he had buried forever.
Kellie Martin plays an accountant who submits a reply to a “dear viola” letter to the editor that she works for, as an accountant. She has a real knack for writing to people and getting to the heart of the matter, and soon the whole town is involved in the romantics.
Based in Calcutta during its most unsettled times in the 1970s, the film deals with the inseparable life of Bikram and Bala. The story of 2 boys, boys who became refugees. Refugees who became gun couriers. Gun Couriers who became coal bandits, coal bandits who became Calcutta’s Most Loved, Most Celebrated, Most Reckless, Most Fearless, Most Powerful! A story of two happy-go-lucky renegades who came to be known as…GUNDAY!
Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.