A millionaire realizes he really wants to live after he has hired an assassin to kill him.

Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.

When a large Iranian-American family gathers in New York City for the patriarch’s heart transplant, a family secret is uncovered and catapults the estranged mother and daughter into an exploration of the past.

Wanda, a single mother with a pregnant daughter, a wayward son, a mother who believes is dying. Barely having time for herself and living to take care of her family but everyone around her doesn’t seem to accept it, why isn’t that enough?

After bailing on her wedding, a former bride-to-be must fight off her ex-groom and seven angry killer groomsmen in order to survive the night.

The young Jönsson gang’s plan to steal “millions of filmisar” faces problem after problem before uncovering something much greater.

Two amateur film-makers find the movie they thought they were making, is actually making them.

A pirate and a hot-tempered noblewoman join forces to protect Jamaica from a tyrant.

Diggers is a coming-of-age story directed by Katherine Dieckmann. It portrays four working-class friends who grow up in The Hamptons, on the South Shore of Long Island, New York, as clam diggers in 1976. Their fathers were clam diggers as well as their grandfathers before them. They must cope with and learn to face the changing times in both their personal lives and their neighborhood.

In his second one hour stand-up comedy special “I Gotta Be Honest”, Willie Barcena has taken 20 years of stand-up comedy to another level speaking directly to every man in America with his real life stories of anger management, struggling to understand and accept all religions, coming to grips with his wife leaving him, his quest to win her back and his struggle to raise his three Boys the only way he knows how as real men. But more importantly Willie Barcena does all of this with intelligence and hilarity as a Mexican American man from Boyle Heights.

Max (David Schwimmer), an alpha-male commitment-phobic sports broadcaster, and Jay (Jason Lee), a neurotic novelist, have been best friends since childhood. Jay sets Max up with his editor Samantha (Mili Avital). Although they share few interests, they are engaged within two weeks. Still, when Max is confronted with the fact that Sam will be the last woman he will sleep with, he proposes a test. Jay will hit on Sam. If she shows no interest, then Max will be confident enough in her loyalty to go ahead with the marriage. Though when Jay hits on Sam, they end up falling in love with each other.

You think your neighborhood has drama? Meet Crokaman Bans. He just got cheated out of $7,000 from a scratch off ticket. To make matters worst the whole neighborhood is out of control. From his crazy nephews to the stick up kids on…