Thomas Harrison is determined to start his own alternative band after the suicide of Kurt Cobain—it’s an obsession that blinds him to what’s either the mental collapse, or the eruption of musical genius, of his little sister, Bridget. Bridget boldly rejects her brother’s music, and the music of an entire generation of slackers, by taking on the persona of a gangsta’ rapper.
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Becky, Tommi and Maik form a right-wing terror cell that lives in the underground and is dreaming of country-wide attention. Entangled in a complex relationship of love, hate and friendship, they follow a path of destruction that leads to a series of violent crime. Their alleged values such as honor, pride and loyalty decline due to their increasing disorientation.
At 16 Ashley was forced to give up her daughter. 18 years later, on the eve of their meeting for the first time, the girl disappears without a trace. The only person helping Ashley is Jake, her old boyfriend. Their relationship is tested when Jake discovers that he’s also the girl’s father.
A blocked writer and a troubled young woman who meet over a phone-sex line go on a journey together.
Lisa and Patrik have patched up their marriage after Patrik’s infidelity, but everything turns upside down when they receive a letter from the district court about their divorce papers, which Lisa had forgotten she had filed.
Barry is a down-and-out-guy who takes a job at the shipping department of Technoworks, a high-tech Yuppie company. He gets invited to the house of his boss Quinn, for a weekend afternoon barbecue with some of his boss’s friends. The party gets weird, Barry plays a demented version of charades while standing on the picnic table, and the next door neighbor starts screaming racial slurs over the fence. When Jude, the widow of the ex-owner of Technoworks arrives, the plot thickens. Clues to past crimes are revealed, and the real reason for the party is discovered. But not before Barry beats the hell out of a tow-truck driver, screws the boss’s wife and wreaks havok with the neighbor. And as the title suggests, before the day is over, we will discover who is the Felon, or perhaps the people at party are all, one way or another, Felons.
It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.
Valentina, a day-walking Black vampire protected from the sun by her melanin, finds it difficult to suppress her bloodlust when a new woman is introduced to her estranged twin daughters.
It all starts with one little seed of love.”The Miracle Maker is coming!” Everyone in the tiny hamlet is excited when they hear the news that the renowned man of wonders is coming to their village. But the humble traveler who appears isn’t what anyone expected. They were looking forward to someone magnificent who would change their lives. But it seems this man can barely take care of himself, let alone fulfill the dreams of others. However, miracles can come in all shapes and sizes and sometimes from unexpected places.
From director John Frankenheimer (‘The Manchurian Candidate’) comes this powerful drama of soaring ambition and shattered dreams that takes a provocative insider’s look at the way our country goes to war–as seen from inside the LBJ White House leading up to and during Vietnam.