Mr. McArevey is a visionary headmaster at a Catholic primary school in one of the toughest neighborhoods of Belfast, Northern Ireland. He loves Elvis and teaches his students to connect with their feelings, while taking on the legacies of the “The Troubles.” In this exceptional portrait of a community still healing from trauma, we follow this educator extraordinaire as he uses Ancient Greek wisdom as an antidote for pessimism, violence, and historical despair.

An international team of paleontologists investigates a 150-million-year-old cold case. Fifteen giant dinosaur skeletons lie buried in a remote corner of Wyoming’s badlands. The team’s mission is to discover why they were here and what killed them.

Risking his life, Luke ventures to Rome to visit Paul — the apostle who’s bound in chains and held captive in Nero’s darkest and bleakest prison cell. Haunted by the shadows of his past misdeeds, Paul wonders if he’s been forgotten as he awaits his grisly execution. Before Paul’s death, Luke resolves to write another book that details the birth of what will come to be known as the church.

Toyland apparently does exist. A toy museum in Vermont houses nearly 100,000 toys with the goal of creating a space for people to remember the worry-free days of their childhood. This short documentary will enrapture viewers with nostalgia and newfound curiosity.

An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

Our modern civilization is likely to be confronted with the biggest paradigm shift in the perception of reality ever, and through our productions we wish to bring insight from the forefront of this development.

This darkly comic, genre-bending piece of gonzo journalism from international provocateur Mads Brügger (filmmaker of Sundance Grand Jury Prize winner Red Chapel) rips the corroded lid off the global scheme of political corruption and exploitation happening in one of the most dangerous places on the planet: the Central African Republic. Armed with a phalanx of hidden cameras, black-market diplomatic credentials and a bleeding-edge wit, Brügger transforms himself into an outlandish caricature of a European-African consul. As he immerses himself in the life-threatening underworld of nefarious bureaucrats, Brügger encounters blood diamond smuggling, bribery, and even murder — while somehow managing to crack amazing razor-sharp barbs at every step along the way. From each absurdly terrifying/hilarious situation to the next, The Ambassador is a one-of-a-kind excursion from the man whom The Huffington Post has called “the most provocative filmmaker in the world.”

Richard Hambleton was a founder of the street art movement before succumbing to drugs and homelessness. Rediscovered 20 years later, he gets a second chance. But will he take it?

In a segregated Texas, five Mexican-American teenage caddies were prohibited from playing at the country club where they worked. Against all odds, they formed their own team, built a one-hole course in the fields, and won the 1957 Texas State championship. Based on a true story.

With the help of Pocahontas, Captain John Smith overcomes the treachery of some of his men and resentment of the local Native Americans to establish the colony of Jamestown.

Emanuelle hosts this peculiar sexploitation Mondo film that looks at several examples of bizarre sexual behavior.