Ricardo, an amusing grumpy middle-aged man, decides to travel overland to India, as he used to do, shipping hippies in the sixties. Only now he has other things on his mind. He has been in a wheelchair for 10 years, suffering from a degenerative disease, that’s pushing into its final stages. This is to be his last journey. Accompanied by his housekeeper Dana he sets off, crossing Europe, through Turkey, Iran, Pakistan. It turns out to be a funny and inspiring journey, opening doors both Ricardo and Dana thought were closed forever. As the landscape widens ahead, all of the crucial things of life unfold before them. Most importantly, Ricardo finds a reason to live.
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Heading on a transatlantic voyage at sea from an Italian lab to America, D’Agostino is the story of a human clone left for dead at the shores of Santorini Greece. This lost cargo, commissioned by wealthy individuals for organ tranplants, is abandoned as the freight cannot be recovered. Allan Dawson has recently inherited his grandmother’s island estate. He’s in a loveless relationship with his common law spouse Sylvia. As he finds this interesting freight, what follows is a macabre tale of self realization as Allan proceeds to set himself out of his sedentary existence to mold his latest discovery into a new best friend with dire consequences.
Burglar Nat Harbin (Dan Duryea) and his two associates set their sights on wealthy spiritualist Sister Sarah, who has inherited a fortune — including a renowned emerald necklace — from a Philadelphia financier. Using Nat’s female ward, Gladden (Jayne Mansfield), to pose as an admirer and case the mansion where the woman lives, they set up a perfect break-in. Things get complicated afterwards.
In a fragile relationship, a husband wants to impress upon his pregnant wife his seriousness in being a good father, so he whisks her away on a babymoon travel holiday to the most exotic, beautiful, Instagram -able, country imaginable, which unbeknownst to him is experiencing a political revolution!
From Paris in the 1960s to London in the first decade of the third millennium, Madeleine and her daughter Véra flit from one amorous adventure to the next, living for the moment and taking all the opportunities that life offers. But not every love affair is without its consequences, its upsets and its disappointments. As time goes by and gnaws away at one’s deepest feelings, love becomes a harder game to play.
Film director Sergey Paradjanov creates brilliant films. His nonconformist behavior conflicts with Soviet System. He is committed to prison for being eccentric. His indestructible love for beauty allows him to withstand the years of imprisonment, isolation and oblivion.
Two best friends embark on a life-changing adventure abroad as exchange students.
Drama documentary based on Bill O’Reilly’s and Martin Dugard’s 2012 non-fiction book “Killing Kennedy: The End of Camelot”. It follows the parallel lives of John F. Kennedy and Lee Harvey Oswald from the winter 1959-1960 to those fatal days in Dallas in November 1963, when they both died within two days after each other and were buried on the same day – John F. Kennedy in a state funeral in Washington D.C., broadcast live both to Europe and the Pacific, while Oswald was buried in Forth Worth at a small funeral where the attending reporters were asked to act as pallbearers.
When a couple sets out to build their dream house, they enlist the services of an uncompromising modernist architect, who proceeds to build HIS dream house instead of theirs.
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma’s marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora’s interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking.
