Follows the exploits of husband/wife moguls trapped with a deadbeat couch potato brother in a hallucinogenic 1-900 world of 1991. Everyone is plotting to kill everyone else, including themselves, and ultimately do. Inspired by the corporate take-over era of the late 80s/early 90s and all the dark, atmospheric, neo-noir thrillers that came along with it.
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Fan Kwok Sang’s schizophrenic breakdown led to the accidental death of his wife Wai Ling, and he was committed to a psychiatric hospital three years ago. Now Fan is ready to be released, with Dr. Chow Ming Kit vouching for him even though his senior objects. However, Fan finds it hard to cope with his new life. Something bad happens to him and Chow becomes obsessed in trying to defend his patient, as well as save his own reputation.
When the beautiful yet timid Marmalade inherits her grandmother’s palatial condo, there is an odd string attached: she must care for each and every doll in her grandmother’s extensive collection, or lose her inheritance
A modern, dark-humored tale of greed, romance, and lost innocence in consumer-crazed, alienated society that functions as a harsh critique of society today without taking itself too seriously.
Set in the near future, Lockout follows a falsely convicted ex-government agent , whose one chance at obtaining freedom lies in the dangerous mission of rescuing the President’s daughter from rioting convicts at an outer space maximum security prison.
Six people unwittingly find themselves locked in another series of escape rooms, slowly uncovering what they have in common to survive as they discover all the games that they’ve played before.
In the year 2041, the rebel Centros are a plague to the survivors of the great toxic gas scare of 1993. A renegade Megarobot pilot and an archaeologist must team up (despite personal differences, a reluctant romance, and official pressure to cease and desist) to thwart the Centro’s attempts to resurrect a hidden Megarobot, with which they can challenge the prevailing order.
Plagued by nightmares and obsessive sleepwalking, Darcy Baker can’t purge her mind of the animalistic abuse she suffered as a child at the hands of her mother. When Darcy’s therapist Ryan is informed that her family homestead, the very source of her nightmares, has been abandoned, he is eager to get her back there and pull the suppressed memories to the surface in order to start her journey of healing. While Darcy has no interest in walking through the door to that hell, she does have a deep desire to win the love of Ryan and succumbs to his wishes to return to her childhood home. Upon arriving at the decrepit house, she and Ryan discover that the fear mother ignites in Darcy still lives. Even more unsettling, they uncover the existence of ten-year-old Sam, a feral mute, who keeps his secrets dangerously close to his heart. Ryan admirably risks it all to heal both Sam and Darcy, but is their blood bond thicker than the healing waters he has to offer?
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
Glass Jaw is the redemption story of Travis Austin, a one time champion boxer who goes to prison and loses everything. After his release, he experiences the trials and tribulations of redeeming his reputation, his belt, and his true love.
As the three out-of-towners toast the end of their journey, someone at the bar is watching them and setting a deadly trap. Now, as closing time draws near, a night of unspeakable horrors is about to begin. Jesse Archer (Violet Tendencies, Going Down in LA-LA Land) and Ronnie Kroell (Eating Out: Drama Camp, Bravo’s Make Me a Super Model) headline in this bold, uncompromising thriller that plunges into the depths of human depravity. With its unpredictable plotline and raw performances, Into the Lion’s Den is a twisted nightmare that viewers won’t soon forget.
