After inheriting the family mortuary, a pyrophobic mortician accidentally exposes hundreds of un-cremated bodies to toxic medical waste. As the corpses re-animate, the mortician’s inheritance-seeking younger brother unexpectantly shows up, stumbling upon a full zombie outbreak!
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A young couple plans to have a rockabilly themed wedding out at the old farm, despite warnings of a West Nile Virus outbreak. Things go horribly wrong when the virus spawns zombie-creating mosquitoes, who begin to feed on the wedding guests.
At work, she’s a renowned assassin. At home, she’s a single mom to a teenage daughter. Killing? That’s easy. It’s parenting that’s the hard part.
After finding an ad online for “video work,” Sara, a video artist whose primary focus is creating intimacy with lonely men, thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer. Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on, she discovers she may have dug herself into a hole from which she can’t escape.
Robert Armstrong stars as Scoop Adams, an ace newsreel cameraman whose love affair with the bottle all but destroys him professionally. Scoop manages to get his photographer pal Dick (Richard Cromwell) fired as well, but he promises to restore Dick’s reputation, some way or another. He gets his chance while covering a dirigible wreck (some three years before the Hindenburg), saving the day for both Dick and himself.
Widowed mother Holly is radically tested when her teenage daughter Betsey experiences a profound enlightenment and insists that her body is no longer her own, but in service to a higher power. Bound to her newfound faith, Betsey refuses to eat but loses no weight. In an agonizing dilemma, torn between love and fear, Holly is forced to confront the boundaries of her own beliefs.
The Elliot estate was once a thriving plantation, but by the 19th century, the family has crumbled under the weight of its own excesses. If sordid sexuality and insanity don’t claim their lives, a malevolent force lurking on the land certainly will. Is it a supernatural entity, or simply the poverty-stricken locals seeking revenge? Marj Dusay and Ryan Foley star in this award-winning chiller from auteur Andrew Repasky McElhinney.
A night guard at an armored car company in the Southern U.S. organizes one of the biggest bank heists in American history.
Psychotic Angela is itching to do what she does best: slaughter dozens of teenage campers. As luck would have it, the previous site of her murders has been renamed and converted into an experimental summer camp meant to bring together privileged and lower-class teens. On the day the youths are boarding the buses to camp, Angela runs over a potential camper with a garbage truck and assumes her identity. Once she has infiltrated the camp, the real terror begins.
When a city is terrorized by a sadistic serial killer, a seasoned detective and a newly recruited paramedic discover the key to stopping the bloodshed lies in unlocking the truth of their own haunted pasts.
After an earthquake rocks D.C., the Army Corp races against the clock to rescue the President trapped under the rubble while a sinister plot aims to capitalize on the disaster.
