Amanda realizes that her perfect husband is having an affair. Instead of confronting him, she teams up with his husband’s lover to understand what went wrong and win him back.
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Petru and Constantin, former faculty mates, have different views concerning their lives and professions; while the former has a bright imagination, is very creative and daring, the latter is looking only for personal comfort and material satisfaction. They contend for the same woman – but even if she loves Petru, she marries Constantin for his material condition. Though he finds in Constantin an adversary who does not hesitate to remove him, Petru will surpass him professionally.
Sheridan O’Connor and Riccardo Rossi were destined to meet on the set of their first big movie together when barely out of their teens. What they didn’t know was that their on-screen chemistry would translate into a hot and heavy off-screen romance destined only for disaster. Now, living continents apart and a lifetime later, expecting their paths never to cross again, they are thrown back together to star in an updated version of their original film. The studio has high hopes that they will be able to attract the same audience who loved them the first time around. But working together again could demand greater acting skills than either ever imagined: long hours filming awkward romantic scenes, reliving the past and coming face to face with what fate has in store for them. Only slightly shaken and gently stirred by family and friends, Sheridan and Riccardo must find a way to make the perfect martini out of life so as not to waste a single drop of happiness.
In January 1943 the German army, afraid of an Allied invasion of the Balkans, launched a great offensive against Yugoslav Partisans in Western Bosnia. The only way out for the Partisan forces and thousands of refugees was the bridge on the river Neretva.
Private investigator Abel Walker (Ackerman) along with his cameraman, Jim (Foy), are on the hunt for a missing woman. As they unravel the mystery of her disappearance, they become caught in a sick and violent game that will end in murder.
This is the hard and shocking story of life in a British Borstal for young offenders. The brutal regime made no attempt to reform or improve the inmates and actively encouraged a power struggle between the ‘tough’ new inmate and the ‘old hands’. The film was originally made as a BBC play but it was banned before ever being shown.
Phiroj and Pesi are close friends and both fall in love with Jeroo but Phiroj decides to walk away and lets Pesi marry her. Years later, he returns and discovers a shocking secret.
Drama exploring the story of ten-year-old Damilola Taylor, who died on a housing estate in South London in 2000. After leaving Nigeria to embark on a new life in the UK, the young Damilola and his family are full of optimism. Little do they realise that their lives are about to be shattered
It is 1595. Brutal wars have just ended in an uneasy peace between Protestant Sweden and Orthodox Russia. We focus on the spiritual defeats of two conquered Finnish brothers, one a hardened near-psychopathic war hero, the other a gentle scientist in an age with no use for such men. They find themselves in the swampy interior, demarcating the new border with a unit of sadistic Russians.
Finding himself down and out in Los Angeles, ex porn star Mikey Saber decides to crawl back to his hometown of Texas City, Texas, where his estranged wife and mother-in-law are living. Just as this dysfunctional family seems to be making things work, Mikey meets a young woman named Strawberry working the cash register at a local doughnut shop.
Game 6 is a 2005 American film directed by Michael Hoffman, first presented at the Sundance Film Festival in 2005 and released in the United States in 2006. Michael Keaton stars.
The film depicts the events of October 25, 1986 in the life of Nicky Rogan, specifically the opening of his latest play juxtaposed with Game 6 of the 1986 World Series, with a screenplay that Don DeLillo wrote in 1991. The soundtrack was written and performed by Yo La Tengo.
(from Wikipedia)