Lily (76) is sure there’s nothing wrong with her. The only reason she lives in a care home is because of her husband Max’s illness: a series of strokes has reduced him to a vegetable. The fact that Lily isn’t exactly the way she used to be becomes slowly clear in the Danish drama Key House Mirror – the title refers to a memory test. It’s not easy for Lily to leave her old habits behind her and fit in with the rules of the home. Her life blossoms when she meets an 80-year-old Swedish neighbour, a charming man who gives her the attention she has long missed. Lily’s daughter, however, is not so happy with the budding romance.
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As if their pre-arranged date, organized by their traditional Indian parents, wasn’t uncomfortable enough, Ravi and Rita are forced to shelter in place together as COVID-19’s reach intensifies. Hopefully for their sake, opposites do indeed attract.
The story revolves around Mrs. Nu’s family consisting of three generations living together in the same house. The one-handed Mrs. Nu is known for her crab cakes and is also notorious for controlling the lives of everyone, from her daughter to her son-in-law. Everything was going normally until the youngest daughter fell in love with a handsome guy from a rich family. The story depicts the complex, multi-dimensional relationships that occur with family members. The main tagline (message) “Everyone is at fault, but everyone thinks they are… the victim” contains many hidden meanings about the content the film wants to convey.
Six actors portray six personas of music legend Bob Dylan in scenes depicting various stages of his life, chronicling his rise from unknown folksinger to international icon and revealing how Dylan constantly reinvented himself.
Following a woman’s search for truth after being cheated in a romance scam.
Released from federal prison after 20 years due to his ailing health, a formerly powerful New York mobster moves back home and attempts to reconnect with former life in this poignant Sopranos-esque character study.
A focus on life in a gang, Boulevard Nights portrays the dangers of street violence. Richard Yniguez plays a young Chicano who tries to get out of the gang, but he keeps finding himself drawn back into it.
Still mourning her husband’s death, Elizabeth moves home with daughter and meets neighbor rumored to have a dark past who is also drowning in grief.
Stig is a 15-year-old pupil of 37-year-old teacher Viola. He is attracted by her beauty and maturity while she is drawn to him by his youth and innocence, a godsent relief from her drunk and miserable husband.
The daughter of a musical mentor adores a promising composer, who is quite fond of the adolescent. When her father dies, an uncle arrives with his own grown daughter, who begins a romance with the composer which culminates in marriage but creates an emotional rivalry that affects the three.
Wealthy Mary Haines is unaware her husband is having an affair with shopgirl Crystal Allen. Sylvia Fowler and Edith Potter discover this from a manicurist and arrange for Mary to hear the gossip. On the train taking her to a Reno divorce Mary meets the Countess and Miriam (in an affair with Fowler’s husband). While they are at Lucy’s dude ranch, Fowler arrives for her own divorce and the Countess meets fifth husband-to-be Buck. Back in New York, Mary’s ex is now unhappily married to Crystal who is already in an affair with Buck.
Breck Coleman leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth Cameron.
