In the aftermath of a traumatic event, a suburban husband and father buys a cutting edge home security system, only to find that it slowly destroys that which he most wants to protect.

After Kelly broke up with Rick, her abusive boyfriend, her friends had a slumber party to cheer her up. As they are telling horror stories, there is a killer in the house coming for them.

A group of suburban teenagers try to support each other through the difficult task of becoming adults.

Working in the shadow of an esteemed police veteran, brash Detective Ezekiel “Zeke” Banks and his rookie partner take charge of a grisly investigation into murders that are eerily reminiscent of the city’s gruesome past. Unwittingly entrapped in a deepening mystery, Zeke finds himself at the center of the killer’s morbid game.

Although he is only ten years old, Jack is responsible for himself and his little brother Manuel and this fills him with pride. Their single mother works during the day and often goes out at night. There’s no father in sight. One day, Manuel burns himself with boiling hot water while bathing and Jack is blamed for the incident. It’s reason enough for social services to put him in a home where he is dreadfully homesick. He soon gets into trouble and bolts, heading for home. He arrives back, only to find his mother is once again absent. Jack and Manuel roam the city in search of her. They sleep in parks and in an underground car park, run away from the police and encounter adults, some of whom help and others who are indifferent.

Sean Reynolds, a highly acclaimed investigative journalist (who strongly believed in paranormal phenomena), destroyed his career when the most watched episode of his reality show, based on paranormal phenomena, turned out to be a hoax. Sean saw a news report on a “Bigfoot Hunter” (Carl Drybeck) who claimed to possess the body of a dead Sasquatch. He believes Drybeck is a phony and decides to create a new show that reveals people’s paranormal claims as hoaxes. Sean assembles his old film crew and heads to Northern California’s “Lost Coast” to meet with and interview Drybeck. Obsessed, Sean is staking his comeback, his life and the lives of his documentary film crew on proving Drybeck’s claim to be a hoax.

An unexpected first kiss causes Gabriel to feel the electrifying “jitters” of love and lust with the free-spirited Marcus; a perfect way to end a Summer studying abroad. Realizing he is gay, Gabriel returns home and is immediately scrutinized by his family and friends who notice he’s different. But as the school year launches with Gabriel distracted with parties and his friends’ own dramas, Marcus returns, reigniting the hot, thrilling emotions of one’s first crush. Jitters fires head-first into the topsy-turvy world of first love with an attractive cast and pulsating soundtrack, making it a smartly refreshing journey into the queer, teen experience.

Adam Goldberg delivers “an uproarious study in transatlantic culture panic” as Jack, an anxious, hypochondriac-prone New Yorker vacationing throughout Europe with his breezy, free-spirited Parisian girlfriend, Marion. But when they make a two-day stop in Marion’s hometown, the couple’s romantic trip takes a turn as Jack is exposed to Marion’s sexually perverse and emotionally unstable family.

Childhood friends, Nina and Hugo chose different paths in life. Years later, Hugo returns to his hometown unbeknownst to him, the day before Nina’s wedding. Events on the wedding day throw them back together and they embark on a new adventure.

Frustrated by the hypocrisy they see in their parents, teachers, and the entire school board, an unlikely trio set out to find a common truth and make their voices heard as they revive a defunct school club and take on the world.

Several years after leaving the orphanage, to which her father never returned for her, Gabrielle Chanel finds herself working in a provincial bar. She’s both a seamstress for the performers and a singer, earning the nickname Coco from the song she sings nightly with her sister. A liaison with Baron Balsan gives her an entree into French society and a chance to develop her gift for designing.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.