Three stories happening in New York. The first, by Scorsese, is about a painter who creates his works helped by high volume music and an attractive assistant; second, by Coppola, is about a rich and bold 12 years old who helps her separated parents to reconciliate; third, by Allen, is a witty piece of comedy about the impossibility of getting rid of the son’s role.
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When Liang Xia’s obsession for a perfect wedding puts a strain in the relationship with her fiancé, he ultimately calls it quits and breaks up with her. In a heartbroken state, Liang Xia carelessly ingests a magical item, which transports the 28-year-old’s mind back to when she was only seventeen years old.
Tired of being invisible in a bland marriage, Emma moves in with her son Elliot in his loft in downtown LA. Elliot is a chef at a lackluster Chinese restaurant facing foreclosure. Also, he’s gay – and Emma’s distaste and denial over this has made strangers of mother and son. But the two need each other now more than ever, and as Emma indulges herself with the encouragement of a saucy new friend, and Elliot confronts his fears of intimacy, the pair find ways to communicate, with food where words fail.
A Very British Cult tells the story of David, a cult leader with a problem. He knows Jesus is returning but he forgot to confirm the date. His disciples are leaving in droves for another cult in Dorset with better facilities, his wife is thinking of leaving him and his remaining followers are more interested in Chocolate Hob-Nobs than the Almighty. But God is about to send David a message, if only he can figure out what it means?
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