Based on the British cult comic-strip, our tank-riding anti-heroine fights a mega-corporation, which controls the world’s water supply.

A group of urbex enthusiasts travel to the backwoods of Appalachia to capture footage of abandoned houses, when they unwittingly become the subjects of a much darker video – made by a different kind of “enthusiast”.

There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.

A friendship is formed between an ex-gangster, and two groups of hitmen – those who want to protect him and those who were sent to kill him.

After a massive shootout, a mysterious stranger (Van Damme) arrives at a local hospital on the brink of death. Then, a foreign gang brazenly comes to the hospital to hunt him down. His nurse, the sole surviving witness to the follow-up shootout, must face an FBI interrogation that unlocks a plot of international intrigue and revenge. With enough twists and turns, KILL’EM ALL will keep you guessing until the final bullet is fired.

A horror comedy spoofing conspiracy theory moves, girl victim films, and Alien Grey abduction movies. Melissa rescues a young woman from a mental hospital where no-one believes she is a victim of abduction by aliens. She and a colleague try to prevent the aliens from taking her but a government agent seems to be hot on her trail, and the Alien Greys and their powerful leader, The Hive Queen have no intention of being stopped. An outrageous mix of graphic horror and dark twisted humor.

Cut off by her wealthy father, a young woman talks her boyfriend into robbing a check cashing spot. Things don’t quite work out for the couple, however, who are now being pursued by the cops.

John H. Groberg, a middle class kid from Idaho Falls, crosses the Pacific to become a Mormon missionary in the remote and exotic Tongan island kingdom during the 1950’s. He leaves behind a loving family and the true love of his life, Jean. Through letters and musings across the miles, John shares his humbling and sometimes hilarious adventures with “the girl back home”, and her letters buoy up his spirits in difficult times. John must struggle to overcome language barriers, physical hardship and deep-rooted suspicion to earn the trust and love of the Tongan people he has come to serve. Throughout his adventure-filled three years on the islands, he discovers friends and wisdom in the most unlikely places. John H. Groberg’s Tongan odyssey will change his life forever.

While in the employ of Mr. Worthington, James, Mickey and Whitey have made several successful and uneventful pickups, but one last pickup will prove to be an adventure and the difference between life as free men and life behind bars.

Melissa has a bad case of sibling rivalry, only her competition is a fictional character in her father’s best-selling novel about a teenage super spy. When her father is “dadnapped” by a group of overzealous fans, it’s up to Melissa to help him by tapping her inner superhero.

Two slackers put on their superhero suits to save Hong Kong from a zombie invasion. This hybrid directorial debut packs one hell of an emotional punch.

Two Christian hitmen brothers are hired to assassinate a famed atheist writer.