Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that re-worked ending, but after production overruns Rebirth became only the first half of the first part of The End of Evangelion, with some minor differences.
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Sylvia has turned a blind eye for too long to husband Eddie’s flourishing drug business. When his dealing takes a (deadly) turn for the worse, however, her need to protect the lives and futures of her young children compel her to flee. But Eddie will stop at nothing to keep his wife inside the ‘family’.
On the face of it, they’re just another family moving to the wide open spaces of the Big Sky Country for a tree change. But for teenage Imogen Day and her parents Samantha and Will, the move to Montana is an escape from quite a unique kind of bullying. Desperate to make a new life for herself, Imogen must overcome new tormentors, old secrets, and a strange presence in the attic.
Les, a small-time celebrity photographer desperate to make it big, befriends Toby, a homeless young man with no direction except a vague desire to become an actor. When by chance, Toby becomes romantically involved with K’Harma Leeds, the hottest pop star of the moment, Les grows jealous and plots revenge.
When their son starts acting strangely, a couple unwittingly allow dark and sinister forces into their home, awakening a long-dormant ancient evil rooted deep in the countryside.
Alain Lefevre is a boxer paid by a Marseille mobster to take a dive. When he wins the fight he attempts to flee to America with the mobster’s girlfriend Katrina. This plan fails and he seeks escape by joining the foreign legion. As part of the legion he tangles with abusive lieutenant Steinkampf and bonds with legionnaires Luther, Mackintosh and Rosetti.
Young Austrian Archduke Paul “Gustl” Gustave is in an arranged engagement but his uncle, the emperor, decides to let Gustl carry on a fling with ballet dancer Lisl Gluck.
Follows Toni, who has a complete breakdown and ends up in a mental facility after the unexpected news that his husband was murdered, and even her was a suspect. She must now fight to clear her name and figure out who betrayed her husband.
Borgman is the central character of this dark, malevolent fable. Is he a dream or a demon, a twisted allegory or an all-too-real embodiment of our fears? Borgman is a sinister arrival in the sealed-off streets of modern suburbia. His presence unleashes a crowing gallery of distortion around the careful façade constructed by an arrogant, comfortable couple, their three children and nanny.
After a nasty break-up, Faith needs a new roommate to supplement the rent and finds that something very strange is going on with the tenant who decides to move in.
Meanwhile concerns Joe Fulton, a man who can do anything from fixing your sink to arranging international financing for a construction project. He produces online advertising and he’s written a big fat novel. He’s also a pretty good drummer. But success eludes him. For Joe can’t keep himself from fixing other people’s problems. His own ambitions are constantly interrupted by his willingness and ability to go out of his way for others.
A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.
