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Eva, facing job loss and personal challenges, sees a job opportunity in organizing Bella’s bachelorette party. The weekend goes awry, but Eva must navigate career, love, and friendship amid chaos.
As stated in the opening titles and at the end Freakstars 3000 is supposed to be a commentary on the problems of the non-disabled people. The more I was shocked about how the disabled were depicted in this film the more I started to realize that in every non-disabled TV counterpart of this show (German TV shows like “Popstars” or “Friedmann” or the home shopping channels) its mentally “non-handicapped” participants are treated in a completely identical way: The total prostitution of the mind in front a huge TV audience at the expense of one’s most important gifts one should hang on to: dignity. On the other hand one could completely understand people who are furious about “exploiting” these handicapped persons. But that’s what Schlingensief’s works are all about: shock people and don’t care about those who cannot or will not try to get the message (if there is one).
The love story of two students in the tenth grade. Mihai is a provincial who reached in a Bucharest high school where his passion for philosophy and mathematics will be eclipsed by love and Dana is a chess enthusiast. Their romance is full of naturalness, but will go through many trials.
During a professional conference in Prague, two interpreters in the Hungarian booth hilariously vie for the attention of one listener.
“Africa United” tells the extraordinary story of three Rwandan children who attempt to realize the dream of their life: to attend the opening ceremony of the FIFA World Cup 2010 at Johannesburg. But the problems begin when Fabrice, Dudu and Béatrice get on the wrong bus and end up in Congo. Without papers, without money, they are brought into a children’s refugee camp. But with incredible ingenuity, a some guts and a poster for the World Cup as a map, our heroes escape from the camp and leave to pursue their dreams, bringing with them a “dream team” of refugee children to help them through a series of exciting adventures. During this journey of 5000 km through seven countries, the film reveals an unseen Africa.
Three friends in their mid-20s struggle to navigate their professional and personal lives, colliding head on with the messy, hilarious and dreadful growing pangs of adulthood.
With his life already in shambles — his girlfriend just dumped him, he’s lost his acting gig, and his cat is seriously ill — sad-sack Jimmy Zoole (Steve Guttenberg) comes home New Year’s Eve to find a gay burglar (Lombardo Boyar) looting his apartment. Taking the intruder hostage, Jimmy threatens to unleash his pent-up rage on the would-be thief but instead begins to bond with his captive.
Jang-bu was an ordinary boy except his special talent; To see every moving thing like a slow motion video. As friends teased him by calling ‘monster eyes’, he decided to stick at home and not to go out. Television has been his only friend. Time passes by, and now grown-up Jang-bu works at the CCTV control center which is the best job for him. When he sees people’s life through camera, he feels he’s sharing their ordinary life that he’s never had. This new job opens his heart to the world and Jang-bu starts to make some friends out of the control center. With his dear friends he receives sense of himself and finally decides to propose a girl that he loved for long from CCTV…
Two best friends rent a beach house for the weekend only to discover it’s been double booked so they’ll have to share the place… with two beautiful women! To win the affection of these gorgeous gals our wannabe studs must throw the best beach bash ever to win the legendary Horndogs Beach Party. However a nosey neighbor and some selfish dude-bros have sabotage on their minds. Will our heroes win the girls’ hearts? Can this be the greatest beach party ever? What time is the wet t-shirt contest? All will be revealed. Don’t forget the lotion… the sun screen, you perverts.
Jessica, a young, up-and-coming filmmaker in Hollywood has made a name for herself directing Christmas movies. But when handsome network executive Christopher shows up threatening to halt production on her latest movie, Jessica’s assistant, Reena, points out the irony: Jessica isn’t just trying to save her Christmas movie, she’s actually living in one. Jessica must now juggle all the classic tropes—her actors falling in and out of love, a wayward elf dog, and her own stirring romantic feelings for her perceived nemesis—in order to get her movie and her life to their happy endings.
