Directed by Martin Davidson and Stephen Verona, The Lords of Flatbush is a low budget film starring Perry King, Henry Winkler and Sylvester Stallone (who also wrote additional dialog). Set in the late 1950s, the coming-of-age story follows four Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, play pool and hang out at a local malt shop. The film focuses on Chico (King) attempting to win over Jane (Susan Blakely), a girl who wants little to do with him, and Stanley (Stallone), who impregnates his girlfriend Frannie, who wants him to marry her.

When two brothers are forced to fight in the Korean War, the elder decides to take the riskiest missions if it will help shield the younger from battle.

An independent Australian horror/drama that explores the societal norms that break down among a small group of survivors in a post-apocalyptic world. Ravenous hordes of infected zombies terrorize the survivors, but it is the horror within their own sanctuary that they must fear the most.

After a heist gone wrong Tom, a low rent criminal is forced by the local crime boss to kill his partner and best friend. Setting off into the Mojave desert under the guise of moving a body they buried two years ago, Tom delays the deed just long enough for a cadre of colorful characters to descend.

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December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: “Cyrano de Bergerac”.

The plot involves patriots during the Sung Dynasty and their attempts to rescue a kidnapped prince from Ching troops who have invaded the north of China. The patriots are led by Ti Lung who recruits a mysterious but seemingly superhuman fighter played by David Chiang to find a way to cross a perilous bridge to enter an impregnable fortress to locate and rescue the imprisoned prince. The big confrontation at the end involves trickery on the part of the heroes and the self-sacrifice of one of their number as David, who is not known to the enemy, brings in Ti as his `prisoner’ to turn over to the Chings, as a way of gaining entrance. Then he cuts Ti’s bonds and all hell breaks loose.

The story of a father’s tireless love for his autistic son. A terminally ill father’s attempt to teach his autistic son the necessary life skills to survive on his own before he passes away. It is also a poignant tribute to the infinite love that parents have for their children and their unending desire to take care and look after them to their best abilities, no matter the struggle, no matter the effort.

Struggling to make ends meet, single Mother, Corina buys a second hand phone, but there’s a SIM card wedged inside. As she tries to remove it, the phone begins to ring. It’s an offer she can’t refuse.

A young widower sidesteps grief, loss, and familial dysfunction when he steals his wife’s ashes and sets off on an impulsive odyssey through America’s heartland in the charming new road trip comedy, Monuments. Ted (David Sullivan) encounters a cast of eccentric characters, including his rival Howl (Javier Muñoz), who direct and misdirect him on his mission to find something he’d lost long before the death of his wife Laura (Marguerite Moreau). Monuments infuses humor and hope into a story of mourning, loss, and marriage to create one of the best feel-good indie films of 2021.

A seven-mile-wide space rock is hurtling toward Earth, threatening to obliterate the planet. Now, it’s up to the president of the United States to save the world. He appoints a tough-as-nails veteran astronaut to lead a joint American-Russian crew into space to destroy the comet before impact. Meanwhile, an enterprising reporter uses her smarts to uncover the scoop of the century.

When a petty crime thrusts him into the company of a feisty eighty-one-year-old African-American woman named Rose Price, Grantham and Rose push the boundaries of their relationship, their lives, and what it means to love, as they take a road trip back to their roots.