A desperate doctor locks down South Union Cardiac Hospital to keep the greatest discovery in human history to himself, while a young intern races to save a dying young dancer, his ex-girlfriend, and his best friend, and stop his mentor.
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Although Alexia, Franco’s ex-girlfriend, has been deceased for some time, Franco still has her as a contact on his social network. When he decides to delete her and move on, something strange starts to manifest through his computer.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty, however, of locating his wife’s killer is compounded by the fact that he suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he’s going, or why.
In order to finance his law studies, Martin starts as a night watchman in a mortuary. When the victims of a serial killer of prostitutes are deposited there, scary things begin to happen. Therefore and because of a strange bet with his fellow student Jens, the police begins to think he is the murderer. Police detective Wormer wants to help him but Martin is more and more suspected.
Planet Earth is a devastated wasteland, and what’s left of humanity has colonized the Moon in domed cities. Humanity’s continued survival depends on an anti-radiation drug only available on planet Delta Three, which has been taken over by Omus, a brilliant but mad mechanic who places no value on human life. Omus wants to come to the Moon to rule and intends to attack it by ramming robot-controlled spaceships into the domes. Dr. John Caball, his son Jason, Jason’s friend, Kim, and a robot named Sparks embark on Caball’s space battlecruiser on an unauthorized mission to Delta Three to stop Omus.
After a teenager has a terrifying vision of him and his friends dying in a plane crash, he prevents the accident only to have Death hunt them down, one by one.
A group of students investigates a series of mysterious bear killings, but learns that there are much more dangerous things going on. They start to follow a mysterious hunter, learning that he is actually a troll hunter.
By 1933, Prohibition has proven a booming enterprise, where average citizens break the law, hide in the shadows and operate at night. The new world order has even lined the pockets of corrupt cops like Jack Malone. He collects a ‘luxury tax’ from every bootlegger and scofflaw in the small town he has sworn to protect. While shaking down the newest speakeasy in the local underground, Jack and his men uncover a clan of vampires hell bent on taking over the town. Now Chesterfield, an ancient vampire, and his horde must hide their secret at any cost. The bloody result leaves several bodies and innocent townsfolk taken as lambs to await the slaughter. With nowhere else to turn, Jack joins forces with a busboy and a crazy preacher to save the town and make a final stand against Chesterfield and his vampires.
F/X man Rollie Tyler is now a toymaker. Mike, the ex-husband of his girlfriend Kim, is a cop. He asks Rollie to help catch a killer. The operation goes well until some unknown man kills both the killer and Mike. Mike’s boss, Silak says it was the killer who killed Mike but Rollie knows it wasn’t. Obviously, Silak is involved with Mike’s death, so he calls on Leo McCarthy, the cop from the last movie, who is now a P.I., for help and they discover it’s not just Silak they have to worry about.
To the outside world Joanne is just a book-store owner, but the Conspiracy knows different. She’s dangerous. She’s a bellwether: a quiet leader who is well on her way to being her whole self. When they kidnap her to break her to make her conform, they discover that Joanne is something so much more than even she ever knew. Joanne is a feminist, one-room, one-character elevated genre thriller. It is a modern rite of passage story which most women have to go through to become a whole human being: How does one be oneself in the face of massive misogyny and hatred (both overt and institutionalized). It is also the world’s first one-person film (a movie with only one on-screen character) that features a woman.