A man, Apollo, wakes up in the future to realize the human race has been wiped out because of an ancient virus.
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Fin is a criminal on the run, wanted for the murder of his boss and the accidental shooting of an officer. He breaks into the home of a high-class escort, only to discover that you get more than you bargain for with Val, short for “Valefar” – a demon who offers to make all his problems disappear if he agrees to follow her rules. But in Val’s world there are no accidents, and as Fin meets her other “customers”, he learns that Val was expecting him all along, and it isn’t easy to escape Val’s dungeon.
Satellite Shankar is based on the real-life story of a soldier who finds himself during his journey of finding the length and breadth of his country.
Jennifer, Stefanie, and Joey are making a movie. But soon the lines between what is a movie and what is real begin to disappear. And when making a horror movie, that can be a difference between life and death.
Not being able to stand his drunken father and stepmother any longer, Tsog runs away from home and hides on the roof of an apartment building in the city. One day, he is mesmerized by Anu, a beautiful woman who lives on the top floor of the apartment building across from him. He buys a remote control to start watching her TV, and it makes the physical space between Tsog and Anu disappear. Well, at least it does in Tsog’s imagination. He comes to think about what the world would be like if he could change it with the touch of a button. The difference between ideals and reality is also seen through Tsog and Anu’s dream of flying and fear of heights. And Anu’s belief that she could overcome her fear if only she had someone to fly with runs an interesting parallel with Tsog’s loneliness from being estranged from his family.
The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.
Albert has always looked up to his aunt Tiny: this beautiful woman from Brabant can make any man’s heart skip a beat. Through Albert’s eyes Tiny’s life seems quite exciting. But why is she so furious at everyone and everything? It takes him half a lifetime to discover that his beloved aunt’s existence is a lot more complex than he had ever thought.
When a cop who is just out of rehab takes the graveyard shift in a city hospital morgue, she faces a series of bizarre, violent events caused by an evil entity in one of the corpses.