For nearly seventy years the fate of the lost Nazi submarine U-745 remained a mystery. After a decade of painstaking research and exploration, a Finnish diving team has finally solved the riddle.
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Through concert performances and interviews, this film offers us an “inside look” at this famous rock group, “The Who”. It captures their zany craziness and outrageous antics from the initial formation of the group to its major hit “Who Are You”, and features the last performance of drummer Keith Moon just prior to his death.
Sixteen-year-old Austyn Tester, a rising star in the world of digital celebrities, builds his following on wide-eyed optimism and teen girl adoration as he tries to escape a dead-end life in rural Tennessee.
Oobah Butler, a writer and filmmaker with a history of pulling elaborate pranks and gaming the system to advance his career, has his sights set on challenging Amazon.
A turbulent newsroom drama that intimately chronicles the working days of broadcast journalist Ravish Kumar as he navigates a spiraling world of truth and disinformation.
“The Gregg Russell Story” showcases the legacy of a man who has dedicated his life in the entertainment and care for thousands of families through his performances and humanitarian generosity. After working as a street musician at Disney World, Gregg Russell was invited to pick up his guitar and perform a show in Hilton Head, South Carolina, under a 300-year-old oak tree. Forty-seven years later, you can still find him there, strumming his guitar and bringing laughter and song to generations of families. Hear about the life and legacy of Gregg Russell from people like Jim Nantz (Legendary Sportscaster), Jay Demarcus (Grammy Award Winner and Member of Rascal Flatts) and Stan Smith (Legendary Tennis Player).
An investigation into many of the shocking claims against Emmett, which include allegations of race discrimination, workplace abuse, and questionable on-set behavior towards actor Bruce Willis as his mental acuity declined ― all of which Emmett denies.
Paul F. Tompkins tells tales of haunting one’s own house, disastrous attempts at pretend fatherhood, carrying a learner’s permit to kill, and marrying a woman who used a fine-print loophole to breach a castle.
A look into the judicial scandal that rocked the nation.
Orson Welles’ final film documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.
Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.
Starting in 1988, a fierce battle raged between the two neighbouring states of Armenia and Azerbaijan (until 1991 part of the Soviet Union) over Nagorno-Karabakh. In 1994, an armistice gave control of Karabakh and the Azeri territory in-between to Armenia. Director Vadan Hovhannisyan shows the footage he shot as an independent war reporter on the front 12 years ago. He runs across the battlefield with a shaky camera, under a fierce shower of bullets. Scrawny soldiers with sunken eyes spend their days smoking, waiting and taking cover in trenches. Fallen comrades are carried down forest paths. Then, Hovhannisyan revisits the soldiers now, bringing prints of stills and frontline footage on his laptop. Although they have put on some weight, many of them are “victims of the peace,” as Hovhannisyan calls it in his voice-over.
Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life’s obsessive work as an erotic artist.