World War II, occupied Soviet Union. István Semetka is a simple Hungarian farmer who serves as a Sub-Lieutenant in a special unit scouting for partisan groups. On their way to a remote village, his company falls under enemy fire. As the commander is killed, Semetka has to overcome his fears and take command of the unit as he is dragged into a chaos that he cannot control.
You May Also Like
Shadows of the Past is about Steve Kelly, a retired rodeo champion, who accepts a rematch with notorious bucking bull, ‘Black Friday’, the same bull that ended his career several years ago. Steve also must deal with the return of estranged wife Dannii. We see him battle with the prospects of a fading career and the chance to love again.
An American neurologist (Tamela D’Amico) uproots her life to study music therapy in India and ends up helping people with disabilities by bringing them together through music.
To celebrate the centenary of the Royal Air Force, Ewan and Colin McGregor take to the skies in some of the world’s most iconic planes. These are the planes that were involved in aerial combat at every stage of the RAF’s story, from the biplanes used in the early days of dogfighting in World War I to the beautiful Spitfire of the Battle of Britain, the plucky Lysander and on to mighty Vulcan nuclear bomber, as well as the Chinook helicopter and supersonic Typhoon that are still in service today. It is a story of amazing machines and epic battles, but above all it is the story of the men and women whose courage and ingenuity have been at the heart of the RAF for 100 years. On their journey Ewan and Colin meet an amazing cast of characters.
Remake of a 1956 Fritz Lang film in which a novelist’s investigation of a dirty district attorney leads to a setup within the courtroom.
The pit has spoken. Dawai, the potter of a backwoods community, has crafted a face on a ceramic jug of the person that the pit wants sacrificed. Ada, pregnant with her brother’s child, has seen her face on the jug and hides it in the woods, determined to save the life of her unborn. If she does not sacrifice herself however, the creature from the pit will kill everyone in the village until she does.
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
Santa Claus tries to outrun a gang of knife-wielding youth. It’s one of several vignettes of Palestinian life in Israel – in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in the hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn’t.
An angry young man goes to Europe to find his father, a ’60s radical turned doctor in exile.
The story of the only three minutes of footage —a home movie shot by David Kurtz in 1938— showing images of the Jewish inhabitants of Nasielsk (Poland) before the beginning of the Shoah.
China is plunged into strife as feuding warlords try to expand their power by warring over neighboring lands. Fuelled by his success on the battlefield, young and arrogant Hao Jie sneers at Shaolin’s masters when he beats one of them in a duel. But the pride comes before a fall. When his own family is wiped out by a rival warlord, Hao is forced to take refuge with the monks. As the civil unrest spreads and the people suffer, Hao and the Shaolin masters are forced to take a fiery stand against the evil warlords. They launch a daring plan or rescue and escape.
Documentary about the groundbreaking queer feminist art band Fifth Column, who were at the centre of Toronto’s influential Queercore scene in the 1980-90s.
