By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.
You May Also Like
When her family moves from the city to the suburbs, 11-year-old Margaret navigates new friends, feelings, and the beginning of adolescence.
After the assassination of President Park, martial law has been declared. A coup d’état bursts out by Defense Security Commander Chun Doo-gwang and a private band of officers following him. Capital Defense Commander Lee Tae-shin, an obstinate soldier who believes the military should not take political actions, fights against Chun Doo-gwang to stop him. The conflict between the two grows while military leaders are holding their decision and Defense Minister is gone. In the midst of chaos, the spring of Seoul that everyone longed for heads to unexpected direction.
Determined to leave the ravages of war behind, 38 year old Gian Singh resigns from the British Indian Army to a quiet life. His world is soon thrown in turmoil, when he suddenly finds himself responsible for the life of a 17 year old girl, traumatized by the events that separated her from her family.
There is something strange – some would even say abnormal – about the Malaussène family. But if you take a closer look, no one could be happier than this cheerfully chaotic family, even though their mother is usually off on one romantic adventure or another. Life is never a bore for Benjamin Malaussène, professional scapegoat and the older brother responsible for this horde of kids. But when incidents happen wherever he goes, police and colleagues begin to eye him suspiciously. It soon becomes a matter of life and death to find out what is going on and who is so interested in ruining his life. Written by Pathe International
Playwright Arthur Miller, director Volker Schlöndorff and actor Dustin Hoffman are seen creating the Roxbury Productions and Punch Productions teleplay Death of a Salesman (1985).
Trapped behind the Boundary Fence, Freya dreams of escape and pursues a dangerous outsider who can free her.
1851, Manitoba’s Red River Valley. As winter sets in, a young woman on the edge of madness arrives exhausted at the fort, a wilderness station, claiming she murdered her husband. She’s placed in a cell; for the next several months, she sews while the local prefect, Henry Mullen, investigates.
The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.
A couple try to leave the Communist party after a murder by the group they were once loyal to.
Lambert, a burned-out case, works the night shift at a gas station, rarely speaking, living alone, drinking. Bensoussan, raised in foster homes, now a small-time pusher for a bar owner named Rashid, comes to the station needing a spark plug for a stolen Moped. He and Lambert connect somehow, and a few days later, they go for a drink. The young man is too cavalier, and when he swipes Rashid’s fancy motorcycle a couple of times, he’s expendable. Lambert decides to avenge the young man and seeks information from Lola, a punk who knew Bensoussan. With surprising perseverance, she pierces Lambert’s shell; he starts to feel again, tells Lola his story, and finds new enthusiasm for life.
