In his provocative 2021 book, The Devil You Know: A Black Power Manifesto, New York Times opinion columnist Charles M. Blow calls for a “reverse Great Migration” of African Americans from the North back to the South to upend today’s political power structures while reclaiming the land and culture they left behind. South to Black Power does more than illustrate Blow’s enlightening ideas; we journey through Blow’s personal story, from his childhood in Louisiana to his role as father to young adult children in New York City, showing us the hard-won truths behind his vision for the future.

Making-of documentary for Lucrecia Martel’s Zama. Tracks director Manuel Abramovich’s attempts to get Martel to let him film her in production.

The untold story of Hammer at Warner Bros, and the relationship that produced some of the British company’s finest films.

Tarō Okamoto became world-famous by designing the “Tower of the Sun” at Expo ’70 in Osaka. The ideas and problems that came with its creation, however, are intertwined with the evolution of Japanese culture – from the Paleolithic up until modern times. In his documentary debut, director Kōsai Sekine takes us on a philosophical journey that transcends the visual limits of documentaries.

On 27th July 1986, British stadium rock band Queen broke new ground by playing for the first time in Hungary, a country which was still under a communist dictatorship behind the Iron Curtain.

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A look at the transport system in the South Wales Valleys and how it effects peoples livelihoods and everyday lives.

The documentary follows leaders and community members from the tropical Pacific island nation who are making bold changes to move the needle on marine protection. With a population of under 2,000 people and a marine reserve covering 40% of its waters, Niue has demonstrated the ways in which traditional knowledge and contemporary science can live in harmony for the benefit of people and the planet.

Que ta joie demeure is not a documentary about being a slave to the machine, alienation, dehumanisation or exploitation. Sound and image, editing and dramatic structure are merely employed to transpose workshops and factory floors into the cinematic space so as to explore the bizarre environments that workers adapt to and with which they skillfully interact, as if humanity had never done anything else since time immemorial.

The Reckoning opens on a contrite Weinstein packing off to a rehab centre, mere moments before the tectonic plates of an industry would heave open both a cultural zeitgeist and a feminist revolution: the #MeToo movement. The film details not only the personal toll of Weinstein’s alleged pathology, but broadens the systemic scale of abuse to the ensuing scandals involving James Toback, Woody Allen and Louis C.K.

This searing British thriller follows Flash (Dylan Duffus), who’s safeguarding his buddy Angel’s (Yohance Watson) cash until his release from prison. Now Angel is out — and Flash is 100 pounds short. He turns to a lowlife named Evil (Tobias Duncan) for help, the first in a series of mistakes. Now, Flash has more than just Angel hunting him down. Directed by Penny Woolcock (Mischief Night), the film co-stars Ohran Whyte and Chris Wilson

Meet the real-life airmen who inspired Masters of the Air as they share the harrowing and transformative events of the 100th Bomb Group.